Search results
People also ask
When did Alexander Calder create abstract sculpture?
How did Alexander Calder redefine sculpture?
Who wrote Calder sculpture?
What was Alexander Calder known for?
What was Calder's first sculpture?
How did Calder change figurative sculptures to abstract forms in motion?
In the early 1930s Calder's desire to create abstract paintings that moved through space led to motorized works such as A Universe, in which the two spherical shapes traveled at different rates during a 40-minute cycle.
- American
- July 22, 1898
- Lawnton, Pennsylvania
- November 11, 1976
Dating from 1931, Calder's abstract sculptures of discrete movable parts powered by motors were christened "mobiles" by Marcel Duchamp, a French pun meaning both "motion" and "motive". [30] However, Calder found that the motorized works sometimes became monotonous in their prescribed movements.
A visit in late 1930 to the studio of Piet Mondrian, a Dutch painter known for his geometric abstraction, gave Calder the “shock”—to use the description recorded in his 1966 autobiography (Calder: An Autobiography with Pictures)—that sent him toward abstract art: “I suggested to Mondrian that perhaps it would be fun to make these ...
- Lynne Warren
Alexander Calder redefined sculpture by introducing into it the element of movement. He created sculptures and design objects that participated in the larger tendencies of European and American avant-garde, uniquely combining abstract art, modernist principles, machine and cosmic imagery
- American
- July 20, 1898
- Lawnton, Pennsylvania, United States
- November 11, 1976
Jan 8, 2018 · Croisière (French for “cruise”) was among his earliest abstract works, shown at Calder’s first exhibition of abstract sculpture at the Galerie Percier in Paris in 1931.
On April 27, 1931, at the Galerie Percier on the Right Bank of Paris, Alexander Calder presented some 20 pieces of abstract sculpture that would turn out to be a game changer—for Calder,...
Alexander Calder is known for inventing wire sculptures and the mobile, a type of kinetic art which relied on careful weighting to achieve balance and suspension in the air. Initially Calder used motors to make his works move, but soon abandoned this method and began using air currents alone.