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Feb 13, 2008 · From its beginning, NEC was criticized for its integrated administration (Krone was white), its grant from the Ford Foundation, its location in Greenwich Village, and its first season’s bill. The genesis of the NEC can be traced to 1965 with the production of two one-act plays by Douglas Turner Ward, Happy Ending and Day of Absence , both ...
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Thomas Greene Wiggins was born May 25, 1849 to Mungo and...
- Douglas Turner Ward
Douglas Turner Ward, an actor, director, and playwright, was...
- Roscoe Lee Browne
Actor, director, and narrator Roscoe Lee Browne was born on...
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The Negro Ensemble Company was created in 1964 when Hooks created a tuition-free acting workshop for urban youth which he named the Group Theatre Workshop (GTW), in tribute to Harold Clurman's The Group Theatre. The group became a refuge for young minority actors, with a focus on black theatre.
Jan 13, 2021 · The goals of the grant were to found a Black repertory company with social themes, which would expand opportunities for experienced Black theatre artists and to help train new ones. The Negro Ensemble Company officially began in 1967, with its home at the St. Mark’s Theater.
Dec 1, 2022 · In 1966, Douglas Turner Ward, Robert Hooks, and Gerald Krone began to work on their vision for a groundbreaking, inclusive space in the theatre: a permanent home where Black theatre artists could have agency over projects made for them, by them, and about them.
Oct 18, 2023 · Leticia: In 1966, playwright, director, and actor Douglas Turner Ward’s op-ed, “American Theatre: For Whites Only?” led to the funding and founding of the Negro Ensemble Theatre Company [NEC].
Creating emotionally resonant characters with depth and variety, the NEC paved the way for black Americans to present a voice that had been aggressively stifled for three hundred years. This revolution in production and writing also meant an equally important advance for black actors.
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Nov 2, 2021 · Based on the proposal that Ward, Hooks and Krone developed, on May 14, 1967 the Ford Foundation announced a grant to establish the Negro Ensemble Company with Ward as artistic director, Hooks as the executive director, and Krone as the administrative director.
