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    • Resin coated (or RC) and fiber

      • There are two primary types of darkroom printing paper: resin coated (or RC) and fiber. I always recommend starting with RC paper when setting up a home darkroom because it develops faster, is less expensive, and dries flat.
      shootitwithfilm.com/setting-up-a-darkroom-at-home/
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  2. Apr 21, 2024 · Types of Darkroom Paper. When selecting darkroom paper for your photographic prints, it's important to explore the various types available to achieve the desired results. Darkroom paper comes in different surface finishes, such as glossy, matte, and pearl. Each finish affects the way light reflects off the print, impacting the final look of ...

  3. Jul 19, 2019 · Before you go into the darkroom to print you will have to choose a darkroom paper to print on. You will have to think about the tone and surface of the paper you want to use as there are several options. Read our Guide To Darkroom Paper for more help in choosing the right paper for you.

    • Selecting The Right Film
    • Getting Films Processed
    • Developing Your Own Film
    • Using Chemicals
    • Avoiding Contamination
    • Choosing The Right Paper
    • Choosing An Enlarger
    • Variable Contrast Papers
    • Where to Go For Advice
    • Setting Up A Minimalist Darkroom

    Ilford, Kodak, Fujifilm and countless smaller, independent brands still make film. The beauty of analogue photography is that each one has its own look and characteristics, which makes the choice often one of taste. Consider factors such as exposure latitude (how forgiving of under or over exposure your film is), and versatility of processing. Cons...

    There are many colour film processing and developing services on the high street, and most offer an additional scanning service. Black & white film requires a more specialist processing service but there are plenty of options available including the Ilford Lab (www.ilfordlab.com). Emulsive has a growing list of labs recorded on an interactive map, ...

    Developing and processing your own film is easy once you get the hang of it. The equipment required is minimal and includes a small spiral tank, chemicals and something to open the canister with. A changing bag comes in handy for loading spirals in darkness, but it’s not essential. If you have a room you can throw into total darkness that’s great, ...

    Photo chemistry covers everything from paper and film developers to fixers and toners. Developers are usually specific to films or papers, but stop bath and fixers are often universal, so check manufacturer’s websites for recommendations. If you’re starting out, opt for a liquid concentrate developer, stop bath and fixer. These are easier to mix th...

    One of the biggest mistakes people make is contaminating the processing solutions. Getting fixer or stop bath in your developer will ruin it and cause staining on your prints. If you are using tongs don’t put them in the next tray – always release the print and put the tongs back in the original tray.

    There are two main types of photo paper, Resin-Coated (RC) and Fibre-based (FB). RC is the best for beginners and while FB offers the ultimate in image quality, it’s harder to handle. Papers come in a variety of surfaces and tones including glossy, pearl, lustre, matt and semi-matt, as well as cool, warm and neutral tones. To begin with use RC pape...

    Look for an enlarger that accommodates 35mm and 120 negatives with 50mm and 80mm lenses, and make sure it comes with a power supply and timer unit. Check the movement on the column is smooth, and the focus mechanism works properly. Buy a good-quality easel and a focus finder.

    Variable contrast papers are more versatile than fixed contrast papers, but unless you have a variable contrast printing head you’ll need a set of variable contrast filters too. Alternatively a colour enlarger head can be used by adjusting the yellow and magenta filtration. Dedicated filters such as Ilford Multigrade filters will give the widest co...

    Online resources for film lovers include Emulsive (emulsive.org), I Still Shoot Film (istillshootfilm.org) and APUG (apug.org). Matt Parry is an award-winning travel photographer and regular contributor to magazines. He recently joined Harman Technology (Ilford Photo) as their marketing manager. Neil Hibbs has been working in the analogue photo ind...

    Before I set up a tiny developing station in my bathroom, I didn’t feel I could experiment with different kinds of film or push-processing. Failure was too expensive, and it was getting embarrassing trying to explain what I was hoping to achieve to my local film lab. With a desire to cut down on the cost and waste of using film, and excited to get ...

  4. Aug 26, 2024 · Many manufacturers offer darkroom paper, but the brand I recommend you buy first is Ilford Multigrade RC (resin-coated) paper, with either a glossy or pearl surface. The hardware for printing is easy to acquire. Second-hand darkroom gear is ridiculously cheap and sometimes even available for free.

  5. Nov 13, 2020 · What is darkroom paper? Before we go further we have to recognize that photographic paper was not designed to be used in cameras. It is meant to be used in a darkroom by having an image from a film negative projected onto it through an enlarger which forms a positive image on the paper.

    • What type of paper is used in darkroom photography?1
    • What type of paper is used in darkroom photography?2
    • What type of paper is used in darkroom photography?3
    • What type of paper is used in darkroom photography?4
    • What type of paper is used in darkroom photography?5
  6. Jul 23, 2020 · Fiber based photographic paper is the older type of the two, in fact the first commercially produced darkroom printing papers were of this type. In it’s simplest form, FB darkroom paper is comprised of a typically heavy (225gsm or more) paper base onto which the silver-gelatin emulsion is coated.

  7. Photographic Paper. Photographic paper is sensitive to light and should be handled only in a darkroom with the correct safelight. Black and white paper is exposed under an enlarger and processed in chemicals to create a final image.

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