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- Not only do poetry, the novel, and the drama have long histories in Japan, but some literary genres not so highly esteemed in other countries—including diaries, travel accounts, and books of random thoughts—are also prominent.
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- The Unique Narratives of Japanese Literature. Sayaka Murata.
- Themes in Japanese Literature. Beyond narrative structure, there are also the themes of Japanese literature. In translation many of the biggest and best names in Japanese literature are women, and these women are breaking boundaries and smashing literary traditions by tackling themes like societal structures and patriarchy, loss and isolation, and non-romantic love.
- Who Are The Most Popular Japanese Writers? Natsume Soseki, 1906. Contemporary Japanese literature arguably began with Natsume Soseki, who was writing around the turn of the 20th century.
- Modern Japanese Literature You Should Read. Convenience Store Woman and Earthlings by Sayaka Murata. Translated by Ginny Tapley Takemori. Convenience Store Woman was an enormous breakout success when it hit English markets.
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or lit.
- Overview
- The enduring appeal of Japanese literature
Japanese literature, the body of written works produced by Japanese authors in Japanese or, in its earliest beginnings, at a time when Japan had no written language, in the Chinese classical language.
Both in quantity and quality, Japanese literature ranks as one of the major literatures of the world, comparable in age, richness, and volume to English literature, though its course of development has been quite dissimilar. The surviving works comprise a literary tradition extending from the 7th century ce to the present; during all this time there was never a “dark age” devoid of literary production. Not only do poetry, the novel, and the drama have long histories in Japan, but some literary genres not so highly esteemed in other countries—including diaries, travel accounts, and books of random thoughts—are also prominent. A considerable body of writing by Japanese in the Chinese classical language, of much greater bulk and importance than comparable Latin writings by Englishmen, testifies to the Japanese literary indebtedness to China. Even the writings entirely in Japanese present an extraordinary variety of styles, which cannot be explained merely in terms of the natural evolution of the language. Some styles were patently influenced by the importance of Chinese vocabulary and syntax, but others developed in response to the internal requirements of the various genres, whether the terseness of haiku (a poem in 17 syllables) or the bombast of the dramatic recitation.
The difficulties of reading Japanese literature can hardly be exaggerated; even a specialist in one period is likely to have trouble deciphering a work from another period or genre. Japanese style has always favoured ambiguity, and the particles of speech necessary for easy comprehension of a statement are often omitted as unnecessary or as fussily precise. Sometimes the only clue to the subject or object of a sentence is the level of politeness in which the words are couched; for example, the verb mesu (meaning “to eat,” “to wear,” “to ride in a carriage,” etc.) designates merely an action performed by a person of quality. In many cases, ready comprehension of a simple sentence depends on a familiarity with the background of a particular period of history. The verb miru, “to see,” had overtones of “to have an affair with” or even “to marry” during the Heian period in the 10th and 11th centuries, when men were generally able to see women only after they had become intimate. The long period of Japanese isolation in the 17th and 18th centuries also tended to make the literature provincial, or intelligible only to persons sharing a common background; the phrase “some smoke rose noisily” (kemuri tachisawagite), for example, was all readers of the late 17th century needed to realize that an author was referring to the Great Fire of 1682 that ravaged the shogunal capital of Edo (the modern city of Tokyo).
Despite the great difficulties arising from such idiosyncrasies of style, Japanese literature of all periods is exceptionally appealing to modern readers, whether read in the original or in translation. Because it is prevailingly subjective and coloured by an emotional rather than intellectual or moralistic tone, its themes have a universal quality almost unaffected by time. To read a diary by a court lady of the 10th century is still a moving experience, because she described with such honesty and intensity her deepest feelings that the modern-day reader forgets the chasm of history and changed social customs separating her world from today’s.
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Poetry: First Lines
The “pure” Japanese language, untainted and unfertilized by Chinese influence, contained remarkably few words of an abstract nature. Just as English borrowed words such as morality, honesty, justice, and the like from the Continent, the Japanese borrowed these terms from China; but if the Japanese language was lacking in the vocabulary appropriate to a Confucian essay, it could express almost infinite shadings of emotional content. A Japanese poet who was dissatisfied with the limitations imposed by his native language or who wished to describe unemotional subjects—whether the quiet outing of aged gentlemen to a riverside or the poet’s awareness of his insignificance as compared to the grandeur of the universe—naturally turned to writing poetry in Chinese. For the most part, however, Japanese writers, far from feeling dissatisfied with the limitations on expression imposed by their language, were convinced that virtuoso perfection in phrasing and an acute refinement of sentiment were more important to poetry than the voicing of intellectually satisfying concepts.
From the 16th century on, many words that had been excluded from Japanese poetry because of their foreign origins or their humble meanings, following the dictates of the “codes” of poetic diction established in the 10th century, were adopted by the practitioners of the haiku, originally an iconoclastic, popular verse form. These codes of poetic diction, accompanied by a considerable body of criticism, were the creation of an acute literary sensibility, fostered especially by the traditions of the court, and were usually composed by the leading poets or dramatists themselves. These codes exerted an inhibiting effect on new forms of literary composition, but they also helped to preserve a distinctively aristocratic tone.
- Donald Keene
While Japanese literature can be elusive, it can also guide us to a deeper understanding not just of Japanese life, but also of ourselves and of humanity.
May 25, 2023 · A succinct introduction to one of the most dynamic and diverse world literatures, this Very Short Introduction traces the rich history of Japanese literature from its beginnings over a millennium ago to the present day. Keywords: Japanese aesthetics, Japanese literature, Japanese poetry, Zen Buddhism, Japanese fiction, The Tale of Genji ...
Nov 7, 2023 · Japanese literature is a fantastic place to uncover many stories, feelings, and cultural knowledge. Whether you’re into thrilling mysteries, epic tales of samurai, or imaginative science fiction and fantasy worlds, Japan’s literature has something for everyone.
Apr 10, 2024 · Now that you have the keys to understanding the evolution of Japanese literature. It's time to dive into modern works and analyze the topics covered so you can confidently pick them up at the bookstore. Contemporary novels explore themes that touch on Japanese society in everyday life:
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