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Breathe
- While “Speak” began the album, “Breathe” set the tone for Dark Side. The first true song on the LP had its roots in a tune, also titled “Breathe,” that Waters had written for a documentary called The Body. Although the two songs don’t have much in common, their lyricist did reuse the title and the opening line for Dark Side.
ultimateclassicrock.com/dark-side-of-the-moon-track-by-track/Pink Floyd’s ‘The Dark Side of the Moon’: A Track-by-Track Guide
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The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US.
The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on March 1st, 1973.
- Speak To Me. The creeping introduction of the pounding heartbeat was lifted from the band’s contribution to the Zabriskie Point soundtrack in 1970. Fading in from a deep, resonant heartbeat, it seems to suggest a baby’s first bleary impressions of the brash, cynical world.
- Breathe In The Air. The languorous chord progression of Breathe In The Air finally bursts out of a crescendo of screams and backwards sounds. Two of David Gilmour’s long-term fascinations are on here: the Leslie rotating speaker on the rhythm guitar, and the gently swooping pedal steel (although Roger Waters has claimed that this is an open-tuned Stratocaster played with a slide).
- On The Run. Emerging from one of the album’s many smooth cross-fades, On The Run is built largely with sounds from the EMS VCS3 synth. The ‘train’ sound is feedback from Gilmour, then a number of sound effects were added, along with the vox pops that Waters had recorded.
- Time. Recorded during the first studio stint, on June 8, 1972. Parsons added the alarm clock sequence, which he had just recorded for a quadraphonic sound demo.
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- Al Shipley
- “Speak To Me” In May 1972, Pink Floyd commenced nine months of sporadic sessions for its self-produced eighth album at Abbey Road, the EMI Records-owned London studio favored by the Beatles.
- “Breathe (In the Air)” “Breathe” had the longest gestation of any song on Dark Side. A markedly different acoustic version appeared on Music From The Body, the 1970 album by Roger Waters and Scottish composer Ron Geesin, featuring music recorded for Roy Battersby’s documentary The Body.
- “On the Run” During the early stages of development, the instrumental “On the Run” bore the working title “The Travel Sequence.” Airport announcements and plane crash sound effects introduced some sort of flight mishap to the album’s narrative, tying into Wright’s fear of flying that inspired “The Great Gig in the Sky.”
- “Time” During Pink Floyd’s early Barrett era, Wright was the band’s second-most prolific singer and songwriter, penning tracks like “Paint Box,” “Remember a Day,” and the single “It Would Be So Nice.”
Mar 1, 2023 · Pink Floyd began performing The Dark Side of the Moon in its entirety more than 13 months before its release, billing it as Dark Side of the Moon: A Piece for Assorted Lunatics. The first time...
Sep 20, 2022 · A song so globe-straddlingly famous now that it’s almost impossible to critique with anything approaching objectivity. But we’ll give it a go. Roger Waters’ walking bass takes the Floyd as close to funky as these distinctly white boys were ever likely to get.
