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- Charles Mingus (born April 22, 1922, Nogales, Arizona, U.S.—died January 5, 1979, Cuernavaca, Mexico) was an American jazz composer, bassist, bandleader, and pianist whose work, integrating loosely composed passages with improvised solos, both shaped and transcended jazz trends of the 1950s, ’60s, and ’70s.
www.britannica.com/biography/Charles-Mingus
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Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, composer, bandleader, pianist, and author. A major proponent of collective improvisation, he is considered one of the greatest jazz musicians and composers in history, [1] with a career spanning three decades and collaborations with other jazz greats ...
- Music Division, Library of Congress
- Charles Mingus Collection
Oct 18, 2024 · Charles Mingus, American jazz composer, bassist, bandleader, and pianist whose work integrated loosely composed passages with improvised solos.
- The Editors of Encyclopaedia Britannica
Mingus was an accomplished pianist as well as bassist, and his love of the two instruments, especially the harmonic richness of the former, was vital in his artistic development. Furthermore, he was able to nurture considerable talent in contexts such as the Jazz Composers Workshop where players yielded much spontaneous collective dynamism.
Jun 7, 2021 · Bandleader Charles Mingus was a notable jazz musician of the mid-twentieth century. He helped pioneer the concept of collective improvisation.
Sep 17, 2013 · Mingus’s involvement with jazz was, in part, a long-running quarrel with the limitations of jazz. Mingus’s confidence that he was cut out for something larger nearly caused him to miss out...
Jan 21, 2022 · In 1952 he moved to New York City, just as the likes of Miles Davis and Sonny Rollins were making waves and the whole scene was heating up. Mingus is an imposing figure in jazz music, literally and figuratively. His short temper on stage, with the band and the audience, earned him the nickname ‘the angry man of jazz’.
Apr 14, 2023 · Mingus often challenged the racial politics of jazz culture and the music industry, as well as critiquing the absurdity of segregation and segregationists like Governor Orval Faubus. He understood himself as a black man in a white world.
