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Hollywood Genres: Formulas, Filmmaking, and the Studio System. Thomas Schatz. Published 1981. Art, History. The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema.
Hollywood Genres: Formulas, Filmmaking, and the Studio System. Thomas Schatz. Temple University Press, 1981 - Performing Arts - 297 pages. Schatz analyzes the studio system and tells what...
Oct 26, 2021 · Reviewer: Richard Testa - - September 14, 2022. Subject: One glaring error leads to questioning it all.... Schatz, in the chapter on Screwball Comedy, lists examples and includes "In Name Only" (1939) which is decidedly NOT a screwball comedy --- NOT even a comedy.
Sep 28, 2020 · Schatz demonstrates this point – somewhat convincingly – by examining how several studios tended to treat the narrateme of a late night storm, from noirish (Warner Bros.), to glossy and upbeat (MGM), to the macabre (Universal).
Jun 1, 1981 · Schatz's writing on film has appeared in numerous magazines, newspapers, and academic journals, including The New York Times, the Los Angeles Times, Premiere, The Nation, Film Comment, Film Quarterly, and Cineaste.
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Jun 5, 2009 · Original Articles. The structural influence: New directions in film genre study. Thomas Schatz Teaches courses in theory and criticism of film and television, University of Texas, Austin. Pages 302-312 | Published online: 05 Jun 2009. Cite this article.
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Jan 1, 2001 · Schatz's writing on film has appeared in numerous magazines, newspapers, and academic journals, including The New York Times, the Los Angeles Times, Premiere, The Nation, Film Comment, Film Quarterly, and Cineaste.
