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Aug 21, 2024 · Composer David Sardy (Zombieland, 21, End of Watch, Premium Rush, Bright, The Beekeeper, Ghost Rider: Spirit of Vengeance, Monster Trucks) is reteaming with director John Swab on the upcoming action thriller Long Gone Heroes.
View credits, reviews, tracks and shop for the 2009 CD release of "Zombieland - Original Motion Picture Soundtrack" on Discogs.
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21 hours ago · Williams’s score for Spielberg’s “Catch Me If You Can,” for example, is not just a throwback to the brassy, jazz-orchestral ‘50s and ‘60s work of Elmer Bernstein on films like “A Walk on the Wild Side” and “The Sweet Smell of Success” (Bernstein was one of many great score composers who employed the young Williams, who is credited here with the piano part on Bernstein’s ...
- Philip Sledge
- Star Wars: Episode IV – A New Hope (1977) It is hard to imagine a world in which anyone but John Williams composed the Star Wars score, and luckily, we don’t have to experience that dark reality.
- Jaws (1975) Steven Spielberg’s Jaws is still considered one of the best movies of all time nearly 50 years after its release, and the legendary blockbuster is made even better thanks to John Williams’ score, which earned the composer an Oscar.
- Raiders Of The Lost Ark (1981) In addition to kicking off the Indiana Jones franchise, Steven Spielberg’s Raiders of the Lost Ark also features one of John Williams’ most well-known tracks: the “Raiders March.”
- Harry Potter And The Sorcerer's Stone (2001) Though composers like Patrick Doyle, Nicholas Hooper, and Alexandre Desplat would go on to provide the music for later films in the franchise, John Williams kicked things off with Harry Potter and the Sorcerer’s Stone.
- Zulu (1964) Barry used the bold rhythms of real Zulu war chants to bring a majestic, forbidding quality to his sparing score for this suspenseful true story of courage on both sides of the Battle of Rorke’s Drift.
- Goldfinger (1964) Reputedly Barry’s favourite of his own soundtracks, his second full 007 score gleams with brassy panache and features some of his most striking background music, like the vivacious ‘Into Miami’, as well as the Shirley Bassey hit that remains for many the archetypal Bond theme song.
- The Ipcress File (1965) For espionage more gloomy than glamorous, Barry concocted a modern, sardonic sound inspired by the famous Anton Karas score for The Third Man (1949), which was ideal for the bleak world of Len Deighton’s spy Harry Palmer.
- Born Free (1966) Winner of two Oscars (for original score and song), this is a prime example of Barry’s ability to capture the grandeur of spectacular locations (here, the African veldt) alongside the playful intimacy of the story’s domestication of some orphaned lion cubs.
1 day ago · So we’re looking back on his musical legacy, including his compositions for Jaws, Jurassic Park, Indiana Jones, and of course Star Wars. Below are the 10 most iconic movie scores in John Williams’ filmography, with literally dozens more coming in at 11th place. — Liz Shannon Miller. Senior Entertainment Editor. 10 - 1.
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Jan 8, 2009 · An Englishman, John Barry has scored more than 90 films over the course of his career, winning five Oscars and four Grammys. He currently lives in an expansive waterfront home on Long Island’s...