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Feb 11, 2010 · Recently John Robert Marlow interviewed Terry Rossio for his web site: The Lonely Keyboard. TERRY ROSSIO is the second-highest grossing screenwriter in the history of the medium. He prefers to write with a partner, which is almost invariably Ted Elliott.
- Larger World Revealed
- Universal-Ness
- Classic Echoes
- Implies A Situation
- Behind The Scenes
- Good Roles
- Concept Cannot Be Done Again
- Known Elements
Thematically, some of the best film concepts reveal the world to be a larger, more magical, and more complex place than is commonly believed. That, or how much larger, more magical, and more complex the human spirit is than is widely believed. The Harry Potterfilms do a masterful job of presenting a larger, more magical, and more complex world.
Universal concepts and themes are a very easy way to find Strange Attractor concepts. What if the myth of monsters in our closets was real? (Monsters Inc.) What if the desire in our youth to become an adult actually happened overnight? (Big) What if the curiosity of meeting our parents in their own youth came true, thanks to time travel? (Back to t...
Many popular movies use classic story themes from classic dramas and fables. The underdog story is prevalent in popular hits like Rocky and The Rookie. Babe shows shades of classic literature like Charlotte's Web, Watership Down, and Animal Farm.
Many Strange Attractor concepts utilize a situation. The situation sets the concept, and the delivery of that concept is a direct result of the situation that protagonists are put in. John McClane is a New York City cop that comes to visit his estranged wife and kids in Los Angeles, hoping to fix his marriage. The situation he's thrust into is the ...
Audiences love a peek behind the scenes, whether it's seeing what it's like to play in the minor leagues (Bull Durham) or witnessing what it takes to be a hotshot fighter pilot (Top Gun). And you can also take us behind the scenes of worlds we could never have imagined. Harry Potter shows us what it might be like if there was a school for wizards. ...
Writing a unique and exciting character can often be a defining part of the Strange Attractor concept. That character can be the concept overall. Case in point, Forrest Gump. That character is the concept of that film (and the book it was based on). And it's a role that many wanted to play. Good Will Huntingis an excellent example of that approach ...
When you choose a concept that hasn't been done and fully explore all major facets of that concept, you've written something that cannot be done again — that can be compelling to Hollywood and could force them to act now or miss out on something special. When Twisterwas released, no other significant films for decades tried to tackle that subject. ...
Rossio offers a fantastic example that all screenwriters need to read: Ken Miyamoto has worked in the film industry for nearly two decades, most notably as a studio liaison for Sony Studios and then as a script reader and story analyst for Sony Pictures. He has many studio meetings under his belt as a produced screenwriter, meeting with the likes o...
TERRY ROSSIO is probably the highest-paid screenwriter in the history of the medium. He prefers to write with a partner, which is almost invariably Ted Elliott. Together, they’ve written the screenplay and/or story for films such as: Aladdin; Godzilla; The Lone Ranger, Shrek; the Pirates of the Caribbean, Zorro, and National Treasure movies ...
What good is a short, simple idea for a movie if it doesn't also attract people? For example: A man wrongly convicted of murder runs his investigation from the confines of his jail cell. Okay, this is mildly intriguing. You could use this 'high concept' to write a screenplay.
The first issue, and most important, is whether the concept of the movie is intrinsically compelling. I like to feel with absolute certainty that the fundamental idea for the film is an exceptional premise, one that implies that a film must be made from it, without question.
Jun 19, 2024 · Academy Award-nominated screenwriter Terry Rossio (Shrek, Aladdin, Pirates of the Caribbean) believes that spec scripts must have what he coined “the strange attractor” to grab the attention of Hollywood execs. Rossio says the concept must be unique original (strange) and compelling to audiences (attractive).
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Oct 11, 2017 · With Laboratory Conditions, filmmakers Jocelyn Stamat, Terry Rossio and I set out to redefine what was possible in the short film narrative genre. It would start fast, no waiting through credits. It would have the visual style and editing pace of a studio feature.
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