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Sep 26, 2024 · theatre, in dramatic arts, an art concerned almost exclusively with live performances in which the action is precisely planned to create a coherent and significant sense of drama.
- Elements of Theatre
Theatre - Performance, Design, Direction: Theatrical art...
- General Considerations
Theatre - Performance, Drama, Audience: Exactly how the...
- Theatre as Expression
Theatre - Performance, Expression, Art: The art of the...
- Black Theatre
Black theater flourished during the Harlem Renaissance of...
- Theatre Music
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- Western Theatre
These ritual elements gave rise to an archetypal genre known...
- Theatre
theatre, in architecture, a building or space in which a...
- Elements of Theatre
Theatre or theater [a] is a collaborative form of performing art that uses live performers, usually actors or actresses, to present experiences of a real or imagined event before a live audience in a specific place, often a stage.
Jun 16, 2023 · Theater is often referred to as “the lively art.” Just what does that mean? Well, theater is a performance art, which means that it is performed live in front of an audience instead of being created and then viewed separately by an audience.
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and theatrical or performative elements in other activities.
- Overview
- Origins of theatre space
- Visual and spatial aspects
theatre, in architecture, a building or space in which a performance may be given before an audience. The word is from the Greek theatron, “a place of seeing.” A theatre usually has a stage area where the performance itself takes place. Since ancient times the evolving design of theatres has been determined largely by the spectators’ physical requi...
The civilizations of the Mediterranean basin in general, the Far East, northern Europe, and the Western Hemisphere before the voyages of Christopher Columbus in the second half of the 15th century have all left evidence of constructions whose association with religious ritual activity relates them to the theatre. Studies in anthropology suggest that their forerunners were the campfire circles around which members of a primitive community would gather to participate in tribal rites. Karnak in ancient Egypt, Persepolis in Persia, and Knossos in Crete all offer examples of architectural structures, purposely ceremonial in design, of a size and configuration suitable for large audiences. They were used as places of assembly at which a priestly caste would attempt to communicate with supernatural forces.
The transition from ritual involving mass participation to something approaching drama, in which a clear distinction is made between active participants and passive onlookers, is incompletely understood. Eventually, however, the priestly caste and the performer became physically set apart from the spectators. Thus, theatre as place emerged.
During the earliest period of theatre in ancient Greece, when the poet Thespis—who is credited both with inventing tragedy and with being the first actor—came to Athens in 534 bce with his troupe on wagons, the performances were given in the agora (i.e., the marketplace), with wooden stands for audience seating; in 498, the stands collapsed and killed several spectators. Detailed literary accounts of theatre and scenery in ancient Greece can be found in De architectura libri decem, by the 1st-century-bce Roman writer Vitruvius, and in the Onomasticon, of the 2nd century ce, by the Greek scholar Julius Pollux. As these treatises appeared several hundred years after classical theatre, however, the accuracy of their descriptions is questionable.
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Architecture: The Built World
Little survives of the theatres in which the earliest plays were performed, but essential details have been reconstructed from the architectural evidence of the Theatre of Dionysus in Athens, which has been remodeled several times since its construction in stone by the politician Lycurgus on the south slope of the Acropolis about 330 bce. The centre of the theatre was the original dancing place, a flat circular space containing the altar of Dionysus, called the orchestra. In the centre stood a platform with steps (bemata) leading to the altar (thymele). Nearby was the temple out of which the holy image would be carried on festival days so that the god could be present at the plays.
Theatrical representations, not yet wholly free of a religious element, directed their appeal toward the whole community, and attendance was virtually compulsory. Thus the first concern of theatre builders of the day was to provide sufficient space for large audiences. In the beginning, admission was free; later, when a charge was levied, poor citizens were given entrance money. It seems reasonable to assume, from the size of the theatres, that the actors performed on a raised platform (probably called the logeion, or “speaking place”) in order to be more visible and audible, while the chorus remained in the orchestra. In later times there was a high stage, with a marble frieze below and a short flight of steps up from the orchestra. The great Hellenistic theatre at Epidaurus had what is believed to have been a high, two-level stagehouse.
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‘What is theatre?’ discusses the origins of theatre and how it has developed in numerous ways in different communities and cultures, from classical Greece to medieval Japan and Italian Renaissance theatre to 19th‐century Europe, resulting in a vast array of modern‐day forms.
Sep 26, 2024 · Theatre - Performance, Expression, Art: The art of the theatre is essentially one of make-believe, or mimesis. In this respect it differs from music, which seldom attempts to imitate “real” sounds—except in so-called program music, such as Pyotr Ilyich Tchaikovsky’s 1812 Overture, which suggests the sounds of a battle.
