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The Waste Land is one of the major poems of the twentieth century. Published in 1922, T. S. Eliot’s landmark work of modernism may ‘only’ be just over 430 lines or around 20 pages in length, but its scope and vision are epic in terms of historical and geographical range, spanning from modern-day London to the deserts of the Old Testament.
A dramatic monologue that changes speakers, locations, and times throughout, "The Waste Land" draws on a dizzying array of literary, musical, historical, and popular cultural allusions in order to present the terror, futility, and alienation of modern life in the wake of World War I.
Eliot’s vision in The Waste Land reflects a world in irreversible decline. References to death and dying are frequent in the poem, starting with the title of the first section, “The Burial of the Dead,” which relates to the burial rites of the Anglican Church.
T. S. Eliot opens The Waste Land with an epigraph taken from a Latin novel by Petronius. The epigraph describes a woman with prophetic powers who has been blessed with long life, but who doesn’t stay eternally young. Facing a future of irreversible decrepitude, she proclaims her longing for death.
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- I. The Burial of the Dead. April is the cruellest month, breeding. Lilacs out of the dead land, mixing. Memory and desire, stirring. Dull roots with spring rain.
- II. A GAME OF CHESS. The Chair she sat in, like a burnished throne, Glowed on the marble, where the glass. (…) Spread out in fiery points.
- III. THE FIRE SERMON. The river’s tent is broken: the last fingers of leaf. Clutch and sink into the wet bank. The wind. (…) But at my back in a cold blast I hear.
- IV. DEATH BY WATER. Phlebas the Phoenician, a fortnight dead, Forgot the cry of gulls, and the deep seas swell. And the profit and loss.
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry.
The main themes in The Waste Land are postwar social disintegration, modern disillusionment, and the potential for regeneration. Postwar social disintegration: The poem’s multiple...
