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On Greenaway's specific instructions, the film's musical score by Michael Nyman is entirely based on themes from the slow movement of Mozart's Sinfonia Concertante in E flat, bars 58 to 61 of which are heard in their original form immediately after each drowning.
Oct 5, 2018 · Death is a theme laced throughout your work, and the matter-of-fact way it is addressed in Drowning by Numbers is a marked contrast to most other cinema. An obvious example would be the way Smut’s fascination with it is treated as a normal child’s hobby.
Jun 7, 1991 · The characters in “Drowning by Numbers” are all completely credible people, who speak in ordinary English and inhabit a real landscape (except for the numbers), and behave in ways that would not shock the reader of a mystery novel.
Drowning by Numbers: Directed by Peter Greenaway. With Joan Plowright, Juliet Stevenson, Joely Richardson, Bernard Hill. Three generations of women share the same problem--marriage woes--and want to put an end to it.
- (11K)
- Comedy, Drama
- Peter Greenaway
- 1991-06
Reinforcing the theme is Madgett's son, Smut (Jason Edwards), a strange young boy who stages various bizarre "games", narrating the rules as though they had existed for quite some time. As is typical of Greenaway, there are plenty of gorgeously composed shots, ribald sexuality, Black Comedy, and a beautiful score courtesy of Michael Nyman.
Oct 29, 2008 · "Drowning by Numbers" tells the story of three generations of women, a delightful trio all named Cissie Colpitts: there's the mother, played by Joan Plowright (who has the ability to give a unique droll dignity to any film she's in); her older daughter, played by Juliet Stephenson (from "Truly, Madly, Deeply"); and the younger, spunkier ...
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Three generations of women--a mother, her daughter, and her niece, all called Cissie Colpitts--experience dissatisfaction with their husbands and cause them to drown. The local coroner, an inveterate game-player called Madgett (Bernard Hill), is drawn into a plot to disguise the murders.