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M. Butterfly is a play by David Henry Hwang. The story, while entwined with that of the opera Madama Butterfly, is based most directly on the relationship between French diplomat Bernard Boursicot and Shi Pei Pu, a Beijing opera singer. The play premiered on Broadway in 1988 and won the 1988 Tony Award for Best Play.
The premise of the play M. Butterfly is that a man falls in love with and carries on a romantic relationship for many years with an opera singer. What the man...
Butterfly tells the love story between René Gallimard, a sexually insecure minor French diplomat, and Song Liling, a diva from the Chinese opera, a man who pretends to be a woman. Elements of Puccini’s opera Madame Butterfly echo throughout the play.
Mar 21, 2010 · “There seems to be some confusion,” writes Melodie Bahan, director of communications at the Guthrie, about the play M. Butterfly “and its relationship to the opera Madame Butterfly.” In an e-mail to the press corps, Bahan offers a “handy chart” to help differentiate between the two.
As a dramatic work based on true events, which deals with political issues as well as interpersonal relationships, M. Butterfly bears some resemblance to Moises Kaufman’s The Laramie Project and Tony Kushner’s Angels in America, though these plays differ from Hwang’s in many significant regards.
Madama Butterfly and the Acceptance of Orientalism . In Madama Butterfly (1904), Giacomo Puccini uses a significant amount of Orientalist narratives and tropes in his portrayal of the main character, Cio-Cio San, a Japanese geisha who fell in love with Lieutenant Pinkerton, an American navy officer. Throughout the opera, Cio-Cio
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M. Butterfly is a tragic love story between two people from disparate cultures, an espionage thriller, a commentary on sexuality, and a plea for human love and intimacy. The play uses modern staging to create twists on conventional theatrical devices, such as cross-dressing and plays within plays.
