Faust
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- A German Romanticism portrait on how love could overcome reason. Based on the true life of Dr. Johannes Faust, a German alchemist, who is supposed to have been killed when trying to discover the philosopher's stone.
www.imdb.com/title/tt1437357/
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Nov 15, 2013 · Swooping into an antique Germany via an initial descent-through-the-clouds that recalls “Triumph of the Will,” Russian director Alexander Sokurov continues his “Faust” with a visit to the laboratory of his eponymous anti-hero, who, shadowed by a servile assistant, is busy carving up a naked cadaver. The constantly moving camera glides ...
- Faust
“Faust,” with its supernatural vistas of heaven and hell, is...
- Faust
Faust (Russian: Фауст) is a 2011 Russian film directed by Alexander Sokurov. Set in the 19th century, it is a free interpretation of the Faust legend and its respective literary adaptations by both Johann Wolfgang von Goethe (1808) as well as Thomas Mann. The dialogue is in German.
A professor (Johannes Zeiler) meets a devilish moneylender (Anton Adasinsky) and sells his immortal soul in exchange for knowledge.
- (38)
- Johannes Zeiler
- Aleksandr Sokurov
- Drama, Mystery & Thriller
Nov 12, 2019 · In one standout scene, Faust is about to his consummate relationship with the Duchess of Parma. Mephisto uses the fabric hanging in the room as a prop, hiding behind it to eavesdrop and using it to pull Faust aside to talk privately. As the scene draws to a close, he draws it shut like stage curtains over the image of the two lovers.
Mephisto sets his sights on the thoughtful old alchemist Faust (Gösta Ekman), who is desperately trying to save his village from a plague.
- (34)
- Gösta Ekman
- F.W. Murnau
- Drama, Fantasy, Horror
May 8, 2005 · “Faust,” with its supernatural vistas of heaven and hell, is particularly distinctive in the way it uses the whole canvas. Consider the startling early shot of Mephisto, his dark wings obscuring the sky as he hovers above a little village that huddles in the lower right corner.
Sep 1, 2022 · Faust is Jan Švankmajer’s first feature-length film and his most ambitious work since his adaptation of Lewis Carroll’s Alice in 1988. Its action moves between puppets, animated models and ‘real’ actors to create a brilliant mix out of the traditional marionette theatre of Eastern Europe and life in post-communist Prague.
