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- Joseph Losey’s “The Go-Between” is about class distinction and its warping effect upon the life of one small boy. The story is set in the days before World War I, privileged days that seemed to stretch endlessly before the British upper class.
www.rogerebert.com/reviews/the-go-between-1971The Go-Between movie review & film summary (1971) - Roger Ebert
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The Go-Between is a 1971 British historical drama film directed by Joseph Losey. Its screenplay by Harold Pinter is an adaptation of the 1953 novel The Go-Between by L. P. Hartley. The film stars Julie Christie, Alan Bates, Margaret Leighton, Michael Redgrave and Dominic Guard.
Joseph Losey’s “The Go-Between” is about class distinction and its warping effect upon the life of one small boy. The story is set in the days before World War I, privileged days that seemed to stretch endlessly before the British upper class.
The Go-Between is a 1971 British historical drama film directed by Joseph Losey. Its screenplay by Harold Pinter is an adaptation of the 1953 novel The Go-Between by L. P. Hartley . The film stars Julie Christie , Alan Bates , Margaret Leighton , Michael Redgrave and Dominic Guard .
- Joseph Losey
- Harold Pinter
- John HeymanDenis JohnsonNorman Priggen
A tale of torrid and forbidden love between a couple in the English countryside. Summer 1900: Queen Victoria 's last, and the summer Leo ( Dominic Guard ) turns thirteen. He's the guest of Marcus ( Richard Gibson ), a wealthy classmate, at a grand house in rural Norfolk.
The Go-Between: Directed by Joseph Losey. With Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton. A tale of torrid and forbidden love between a couple in the English countryside.
- (6.5K)
- Drama, Romance
- Joseph Losey
- 1971-07-29
Nov 13, 2009 · Stylishly elegant and deftly directed with painstaking attention to detail, “The Go-Between” is one of Losey’s most acclaimed and popular movies, a winner of the top prize, the Palme d’Or, at the 1971 Cannes Film Fest.
A schoolboy learns the sexual and social rules of the game at the dawn of the 20th century in Joseph Losey’s Palme d’Or-winner. “You can feel the clothes, you can smell the heat; and because all these sensual details are so physically realised, you end up hearing the unsaid, seeing the unseen.”.
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