Search results
- Thomas Oconnor
- Movies can be objectively bad. We’ve all seen bad movies. Movies that don’t make sense, movies with flat, unlikeable characters, movies where you can’t tell what’s going on in a given scene due to poor editing and camera work.
- You’re allowed to like bad movies. As I write this, I’m sitting just out of arm’s length from a carefully curated collection of DVDs and Blu-Rays. It contains many fine, high-quality pieces of cinema, like most of Kubrick’s filmography, some Herzog, genre classics like Back to the Future and Die Hard.….
- Criticism is not an attack. This is important. This is SO important, you have no idea. Accepting this truth, if you haven’t already, may be one of the most important truths you can accept.
- Some opinions are worth more than others. Critics often get asked “Who are YOU to decide what’s good and what’s bad? What gives YOU the right?”. There are a lot of answers, but ultimately the one to bear in mind is this: movie critics, especially the successful ones, are people who know a LOT about movies.
- Challenge 1: Getting Good Performances
- Challenge 2: Believing That Your Material Is Worthy
- Challenge 3: Not Losing The Magic on A Bigger Production
- Challenge 4: Not Asking, Why Am I Doing This to myself?
- Challenge 5: Being True The Story, Wherever It Takes You
- Challenge 6: Transporting The Audiences to Events in The Past
- Challenge 7: Building A Relationship with People Who Have No Reason to Trust You
Fire in the Mountainsdirector Ajitpal Singh shot his first feature in a remote village in the Himalayas, and he knew that getting the performances right from the actors would be his biggest challenge. Ajitpal Singh: Even though I did some theater, I was not really good at directing actors. My strength has always been creating images. I've also done...
After Wong Kar-Wai encouraged him to throw out his original script,One for the Roaddirector Baz Poonpiriya based his film on his own real-life experiences. This challenged him with self-doubt. Baz Poonpiriya: I think the most challenging is the idea that kept popping in my head every day I go out shooting: Is my life that interesting? Because this ...
For Strawberry Mansion co-directors Kentucker Audley and Albert Birney, the challenge was keeping true to themselves as the production grew. Kentucker Audley: I would say just working on a bigger scale and working with a whole new team of people that I personally didn't know. Sylvio was tiny. It was a very kind of backyard production. It was 75% ju...
ForR#Jdirector Carey Williams, the challenges were anything from working with Shakespeare in modern-day to just not falling apart. Carey Williams: I mean, every film has its challenges so it's like, "Well, stop crying and make this movie." Challenges are really kind of like opportunities. ForR#J,one of the big challenges was figuring out what from ...
For Bring Your Own Brigadedirector Lucy Walker, the challenges involved telling a story that was real, not just one that fit into an easy cookie-cutter mold. Lucy Walker:I want to make films that deliver a satisfying experience. I like watching movies that have act structures. I've trained my brain to think in terms of acts and that's why the docum...
For Rebel Heartsdirector Pedro Kos, the task was to bring a story to life that had almost been forgotten by history. Pedro Kos: There were a lot of extremely compelling and unforgettable stories, but how to bring them to life when, especially for the '60s, a lot of the material that we have are photographs and letters? We really began to think more...
For Captains of Zaatarifilmmaker Ali El Arabi, the challenge was not just to get permission to shoot in a refugee camp, but to win over the people in it. Ali El Arabi: During the entire first year, I was just trying to establish good relations with Mahmoud and Fawzi and the family and the place. And establish a strong relationship from my crew to M...
The Discourse That Shapes Cinema’s Legacy. Matt Crawford 0. Film criticism is an integral part of the cinematic world, serving as a bridge between movies and their audiences. It involves the analysis, interpretation, and evaluation of films, often blending personal opinion with a deep understanding of film theory and history.
May 14, 2019 · The film’s social and cultural implications are still vastly relevant and starkly unforgiving, which reflects the ever-present growing social attitude of communal race relations, sexual freedom, and ethical divides, while also embracing the “everything is up for grabs” mentality in early motion pictures.
Sep 1, 2008 · At its foundation, or refoundation, in 1958, Film Quarterly was ahead of the game. It was staking a claim for film criticism in what seemed a hostile climate but one which was about to change. Oxford Opinion (1960) and Movie (1962 onwards) were part of the change, as were a plethora of short-lived magazines— Definition (1960), Motion (1961 ...
Dec 14, 2012 · The limitations of this approach to film criticism are obvious: It is monolithic, one-way communication from a writer to a mute and invisible audience, written under the assumption that the writer has seen the movie and the reader hasn’t. The number of people who get paid to write such reviews are very few, which means there’s a limited ...
People also ask
What are the limitations of film criticism?
What makes a good film critic?
Should film criticism be written?
Is film criticism an art or a science?
Why is film criticism important?
Do critics have a role in the film industry?
Film criticism is an essential part of cinema, serving as a bridge between filmmakers and audiences. It focuses on analyzing, evaluating, and interpreting films, while providing insights into their artistic, cultural, and technical aspects. From professional critics in esteemed publications to everyday moviegoers sharing their thoughts online ...
