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Our first impression of Lucie is one that remains throughout the novel—she is compassionate and innocent enough that Mr. Lorry is reminded of her as a child when he brought her from France to England. Only his daughter had the power of charming this black brooding from his mind.
Lucie learns her own and her father's real history—her father suffered imprisonment at the hand of a tyrannical government. Lucie's history makes her a figure who connects the "two cities" of Paris and London, and in A Tale of Two Cities, characters cannot escape their histories.
Lucie rocks Manette's head on her chest like a child. She promises him that his agony has ended, and gives thanks to God. Lucie's golden hair reminds Manette of his wife's golden hair.
Lucie is the novel's central figure of goodness and, against the forces of history and politics, she weaves a "golden thread" that knits together the core group of characters. Lucie represents religious faith: when no one else believes in Sydney Carton, she does. Her pity inspires his greatest deed.
Making Lucie — a rather two-dimensional character — so central to the book may seem strange, but keep in mind that Dickens created Lucie to be an ideal rather than a real woman. She represents all that is good in humanity — innocence, kindness, faith, and hope — and she serves as a touchstone for other characters to find those qualities ...
Oct 3, 2024 · Lucie's reaction to learning her father is alive reveals her deep compassion and emotional strength. She is initially shocked but quickly becomes determined to help him recover from his...
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Along similar lines, Lucie likely seems to modern readers as uninteresting and two-dimensional as Darnay. In every detail of her being, she embodies compassion, love, and virtue; the indelible image of her cradling her father’s head delicately on her breast encapsulates her role as the “golden thread” that holds her family together.
