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  1. Jan 1, 2006 · The study sensibly begins with an introduction to the production contexts of reality TV and the discourses around its reception, as well as providing a refreshingly lucid account of its origins.

    • Helen Piper
    • 2006
  2. Nov 1, 2004 · We assessed the appeal of reality TV by asking 239 adults to rate themselves on each of 16 basic motives using the Reiss Profile standardized instrument and to rate how much they watched and ...

  3. Feb 13, 2020 · Reality-TV offers elaborate codes of realism that viewers then analyze through visual representatives (Hill, 2005).

  4. Reality TV involves real people ostensibly reacting to real-world situations, which allows us to put ourselves in the participants’ shoes and see flashes of ourselves. The genre tends to traffic in broad character archetypes — the “smart one” and the “shy one” and the “athletic one,” for example.

  5. Aug 15, 2016 · The cultural significance of reality television is based on its claim to represent social reality. On the level of genre, we might argue that reality television constructs a modern day panorama of the social world and its inhabitants and that it thus makes populations appear.

    • Fredrik Stiernstedt, Peter Jakobsson
    • 2017
  6. Reality TV is a genre that places nonactors in dramatic situations with unpredictable outcomes. The influx of reality TV dominating network and cable programming has been highly reflective in its expansion of formats, evident from the variety of narrative themes embedded in reality-based shows.

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  8. A core factor of reality TV is the expectation that participants will provide a high level of self-disclosure, for instance about their emotions and behaviours, distinct from everyday interaction (Tal-Or & Hershman Shitri t, 2015).

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