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What is a literary artifact?
Is history a literary artifact?
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What does artifact mean?
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Jan 19, 2022 · Literary artifacts are textual works that are characterized by creative expression and artistic qualities. They represent concepts and ideas of the culture in which they were created, as well as about their authors and intended audience.
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Magic realism (“a literary genre or style that incorporates...
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Oct 19, 2024 · At times, the structure of a lexicon is emulated in a work of fiction; in others, it is at the heart of a storyline. This meditation explores the wide range of tributes dictionaries have occasioned as well as volumes about the making of specific lexicons, such as the Oxford English Dictionary.
Jul 18, 2018 · Artifact. First published Wed Jul 18, 2018; substantive revision Mon Oct 3, 2022. The contemporary world is pervasively artifactual. Even our most mundane, biologically based activities, such as eating, sleeping, and sex, depend on engagement with artifacts.
3 days ago · Literary devices, such as metaphors, symbols, and foreshadowing, can be used as artifacts in literature: • Metaphors and allegories: These literary devices can be used to convey complex ideas, emotions, and themes. • Symbolism: Symbols, like the proverbial rose, can be used to represent abstract concepts, conveying meaning to the reader.
In this article, I would like to briefly chart the reciprocal and changing relationship between history and its narrative realization. I shall explore this liaison on the level of theoretical discussions on the form and function of history, as well as on the level of the practice of history writing.
characterize the universe of literary artifacts on the broadest possible basis. If critics followed out the program that his paper suggests, how-ever, they would provide a dictionary of texts, i.e., descriptions of the texts populating the literary universe. The texts might be arranged either alphabetically or chronologically or any other way ...
Jan 11, 2019 · Summary. Chapter 5 points in the direction of a novel cognitive, or mentalistic, or producer-oriented account of literature and art that puts the artist/producer at the centre of attention and argues against the binary oppositions between artefact-oriented and receiver-oriented accounts.
