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1. academic.oup.com › edited-volume › 44429The Oxford Handbook of Film Theory | Oxford Academic

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   Aug 15, 2022 · The volume is divided into six sections: Meta-theory; Film Theory’s Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close Is Close Reading?; and The Turn to Experience.

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     View Chapter - The Oxford Handbook of Film Theory | Oxford...

   • Acknowledgments

     Acknowledgments - The Oxford Handbook of Film Theory |...

   • List of Contributors

     List of Contributors - The Oxford Handbook of Film Theory |...

   • The Medium Matters! In Defense of Medium-Specificity in Classical Film Theory

     The Medium Matters! In Defense of Medium-Specificity in...

   • Feminist Film Theory on The Brink of Laughter

     Feminist Film Theory on The Brink of Laughter - The Oxford...

   • Essay

     What can the film essay do? I attend to this question by...

   • After Trump

     In American academia, for roughly the last half-century,...

   • Notes on Some Forms of Repetition

     Abstract. Homay King’s “Notes on Some Forms of Repetition”...

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     What is "Film Theory," Really?

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     Film Theory Explained — How to Study Film (And Why)

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3. nofilmschool.com › film-theoryUnderstanding Film Theory: An Essential Guide - No Film School

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   Mar 15, 2024 · If you want to work in Hollywood as a creative or even critique film and television for a living, Film Theory is extremely important. In this post, we're going to learn how to put that training of consuming media into action by learning about Film Theory.

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4. www.craftfilmschool.com › userfiles › filesFilm Theory and Criticism - CRAFT|Film School

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   MANTHIA DIAWARA “Black Spectatorship: Problems of Identification and Resistance,”Screen 29, 4 (1988). Reprinted by permission. WIMAL DISSANAYAKE “Issues in World Cinema,” from World Cinema: Critical Approaches, Edited by John Hill

5. academic.oup.com › ywcct › article8Film Theory | The Year's Work in Critical and Cultural ...

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   May 4, 2023 · This chapter discusses three notable books concerning film theory that were published in 2022 which are particularly significant in what they reveal about the current understanding of form within the discipline. The chapter is divided into four sections: 1. Kyle Stevens (ed.), The Oxford Handbook of Film Theory; 2.

6. en.wikipedia.org › wiki › Film_theoryFilm theory - Wikipedia

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   Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, [3] it also originated and overlaps with the philosophy of film. [4]

7. www.oxfordbibliographies.com › abstract › documentFilm Theory - Cinema and Media Studies - Oxford Bibliographies

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   Oct 28, 2011 · A streamlined collection of essays introducing readers to some basic texts of film theory along with foundational essays by Sigmund Freud and Jacques Lacan. For graduate students and advanced undergraduates.

8. People also ask

   What is a critique of film theory?

   • A Critique of Film Theory(1980) collects Henderson’s essays from Film QuarterlyandFilm Comment, includ- ing work on Christian Metz, André Bazin’s film theory and emphasis on the long take, Eisenstein’s montage theory, and the work of Jean-Luc Godard.

   Film Theory and Criticism - CRAFT|Film School

   www.craftfilmschool.com/userfiles/files/Leo Braudy, Marshall Cohen-Film Theory and Criticism-Oxford University Press, USA (2009).pdf

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   What is film theory?

   • According to The Routledge Encyclopedia of Film Theory, Film Theory is “…a set of scholarly approaches within the academic discipline of cinema studies that question the essentialism of cinema and provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large." Say what?

   Understanding Film Theory: An Essential Guide - No Film School

   nofilmschool.com/film-theory

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   Should film theory be mixed with film criticism or film history?

   • It's crucial not to mix up Film Theory with Film Criticism or Film History. All three are very different studies and even more different ways to approach film and filmmaking. Film Criticism picks apart movies. It's done by scholars, who want to analyze the film's worth. And it's done journalists, who review the film for the general population.

   Understanding Film Theory: An Essential Guide - No Film School

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   What is psychoanalytic film theory?

   • Psychoanalytic film theory occurred in two distinct waves. The first, beginning in the late 1960s and early 1970s, focused on a formal critique of cinema’s dissemination of ideology, and especially on the role of the cinematic apparatus in this process. The main figures of this first wave were Christian Metz, Jean-Louis Baudry, and Laura Mulvey.

   Psychoanalytic Film Theory - Cinema and Media Studies - Oxford

   www.oxfordbibliographies.com/abstract/document/obo-9780199791286/obo-9780199791286-0052.xml

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   Why is film theory important?

   • Film theory helps you unlock these layers. Instead of taking a film at face value, you analyze patterns, motifs, and historical or cultural references to find the deeper meanings within. Critical Thinking: Film theories often question dominant filmmaking practices and challenge conventional narratives.

   Understanding Film Theory: An Essential Guide - No Film School

   nofilmschool.com/film-theory

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   When did film theory start?

   • Film theory came into its own in the late 1960s and early 1970s, thanks primarily to essays published in journals such as Screen in the United Kingdom and Cahiers du cinema and Communications in France.

   Film Theory - Cinema and Media Studies - Oxford Bibliographies

   www.oxfordbibliographies.com/abstract/document/obo-9780199791286/obo-9780199791286-0030.xml

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9. www.oxfordbibliographies.com › abstract › documentPsychoanalytic Film Theory - Cinema and Media Studies ...

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   Oct 28, 2011 · Psychoanalytic film theory occurred in two distinct waves. The first, beginning in the late 1960s and early 1970s, focused on a formal critique of cinema’s dissemination of ideology, and especially on the role of the cinematic apparatus in this process.