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    • CRF Guide (Constant Rate Factor in x264, x265 and libvpx)
      • The Constant Rate Factor (CRF) is the default quality (and rate control) setting for the x264 and x265 encoders, and it’s also available for libvpx. With x264 and x265, you can set the values between 0 and 51, where lower values would result in better quality, at the expense of higher file sizes.
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  2. Feb 24, 2017 · The Constant Rate Factor (CRF) is the default quality (and rate control) setting for the x264 and x265 encoders, and it’s also available for libvpx. With x264 and x265, you can set the values between 0 and 51, where lower values would result in better quality, at the expense of higher file sizes.

  3. Sep 23, 2023 · There are two rate control modes that are usually suggested for general use: Constant Rate Factor (CRF) or Two-Pass ABR. Rate control decides how many bits will be used for each frame. This will determine the file size and also how quality is distributed.

  4. Feb 24, 2017 · What is the Constant Rate Factor? The Constant Rate Factor (CRF) is the default quality (and rate control) setting for the x264 and x265 encoders. You can set the values between 0 and 51, where lower values would result in better quality, at the expense of higher file sizes.

  5. Mar 1, 2017 · What is “rate control”? It’s what a video encoder does when it decides how many bits to spend for a given frame. The goal of (lossy) video encoding is to save as many bits as possible, reducing the file size over the original input file, while retaining as much quality as possible.

  6. You can use the Arrhenius equation to show the effect of a change of temperature on the rate constant - and therefore on the rate of the reaction. If the rate constant doubles, for example, so also will the rate of the reaction.

  7. Jan 23, 2015 · Quick Summary: What is the Constant Rate Factor? The Constant Rate Factor (CRF) is the default quality setting for the x264 encoder. You can set the values between 0 and 51, where...

  8. Nov 18, 2016 · Constant rate factor CRF allows the QP to go up for frames with a lot of motion or down for still frames resulting in a consistent perceived quality while keeping the compression efficient. This article explains it very well.

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