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1. www.ncbi.nlm.nih.gov › pmc › articlesThe Structure of Musical Preferences: A Five-Factor Model

   www.ncbi.nlm.nih.gov › pmc › articles

   The findings from three independent studies converged to suggest that there exists a latent five-factor structure underlying music preferences that is genre-free, and reflects primarily emotional/affective responses to music.

   • Author: Peter J. Rentfrow, Lewis R. Goldberg, Daniel J. Levitin
   • DOI: 10.1037/a0022406

   • Publish Year: 2011
   • Published: 2011/06

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3. journals.sagepub.com › doi › fullMusical Preference: Role of Personality and Music-Related ...

   journals.sagepub.com › doi › full

   Jun 9, 2021 · Preference for genre would indicate that personality is linked with relatively high-level conceptualizations of music, while preference for musical dimensions or musical attributes might imply that personality is linked with music that conveys a particular experience or mood.

   • Author: Maya B. Flannery, Matthew H. Woolhouse

   • Publish Year: 2021

4. journals.sagepub.com › doi › pdfBack to the inverted-U for music preference: A review of the ...

   journals.sagepub.com › doi › pdf

   • Literature review
   • Coding
   • Funding

   We wanted to test whether studies in music psychology have observed results compatible with one or more of the three segments of the inverted-U, even if not explicitly reported. Our approach was to review the literature on aesthetic preference of music across a long time period, and ana-lyze those findings with respect to the three segments of the ...

   See full list on journals.sagepub.com

   Studies presenting data on preference as a function of one or more collative variables were coded according to one of five categories for each independent variable, as shown in Table 1. The first three categories are regarded as commensurate with some part or all of the inverted-U, as discussed above, and the remaining two categories (4 and 5) are ...

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   The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This work was supported by the Australian Research Council [Grant Number

   See full list on journals.sagepub.com

5. gosling.psy.utexas.edu › JPSP03musicdimensionsThe Do Re Mi’s of Everyday Life: The Structure and ...

   gosling.psy.utexas.edu › JPSP03musicdimensions

   In this research we take the first crucial steps to developing a theory of music preferences—a theory that will ultimately explain when, where, how, and why people listen to music. Why Study Music Preferences?

   • File Size: 713KB

   • Page Count: 21

6. projects.ori.org › lrg › PDFs_papersThe Structure of Musical Preferences: A Five-Factor Model

   projects.ori.org › lrg › PDFs_papers

   Feb 7, 2011 · The findings from 3 independent studies converged to suggest that there exists a latent 5-factor structure underlying music preferences that is genre free and reflects primarily emotional/affective responses to music.

7. academic.oup.com › edited-volume › 35473Musical preferences | Oxford Handbook of Music Psychology ...

   academic.oup.com › edited-volume › 35473

   • Cached

   Dec 4, 2008 · We begin by carefully defining terms and considering methods, moving on to discuss the biological influences of arousal and other personality traits on music preference, questions of style discrimination, and finally the cultural influences of experience upon preference.

8. People also ask

   What is a complete theory of music preferences?

   • A complete theory of musical preferences must necessarily focus on the functions of music, and reflect situational constraints in interaction with personality traits. A growing body of research has begun to identify some of the social psychological processes and roles of the environment that link people to their music preferences.

   The Structure of Musical Preferences: A Five-Factor Model

   www.ncbi.nlm.nih.gov/pmc/articles/PMC3138530/

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   What is the structure of musical preferences?

   • The Structure of Musical Preferences: A Five-Factor Model Music is a cross-cultural universal, a ubiquitous activity found in every known human culture. Individ- uals demonstrate manifestly different preferences in music, and yet relatively little is known about the underlying structure of those preferences.

   The Structure of Musical Preferences: A Five-Factor Model

   projects.ori.org/lrg/PDFs_papers/RentfrowEtal2011StrucMusicPrefsJPSP.pdf

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   What does preference for genre mean in music?

   • Preference for genre would indicate that personality is linked with relatively high-level conceptualizations of music, while preference for musical dimensions or musical attributes might imply that personality is linked with music that conveys a particular experience or mood.

   Musical Preference: Role of Personality and Music-Related Acoustic

   journals.sagepub.com/doi/full/10.1177/20592043211014014

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   Is there a basic structure underlying music preferences?

   • The present research replicates previous research concerned with music preferences by showing that there is a basic structure underlying music preferences and extends that work by showing that the structure is not dependent entirely upon music-genre preferences.

   The Structure of Musical Preferences: A Five-Factor Model

   projects.ori.org/lrg/PDFs_papers/RentfrowEtal2011StrucMusicPrefsJPSP.pdf

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9. academic.oup.com › edited-volume › 34489Musical Preferences | The Oxford Handbook of Music Psychology ...

   academic.oup.com › edited-volume › 34489

   • Cached

   Oct 2, 2014 · Musical preference has been defined as “a person’s liking for one piece of music as compared with another at a given point in time” while taste is held to reflect “the overall patterning of an individual’s preferences over longer time periods” (Hargreaves, North and Tarrant, 2006, p. 135).