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    • World’s oldest film festival

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      • Venice Film Festival, world’s oldest film festival, held annually in Venice beginning in late August or early September. Officially part of the Venice Biennale, the festival takes place in the picturesque Lido section of the city, and the combination of location and tradition makes it a popular destination for the elite of the film industry.
      www.britannica.com/art/Venice-Film-Festival
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  2. Oct 6, 2024 · The Venice Film Festival was founded in 1932 as the Esposizione dArte Cinematografica (Exhibition of Cinematographic Arts), which was a part of that year’s Venice Biennale, the second to be held under the aegis of the Italian fascist government.

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      In 1951 Kurosawa Akira’s Rashomon won the Golden Lion at...

    • Motion Pictures

      Venice - Film, Cinema, Production: Venice has had a strong...

  3. Oct 5, 2024 · In 1951 Kurosawa Akira’s Rashomon won the Golden Lion at Venice, focusing attention on Japanese films. That same year the first American Art Film Festival at Woodstock, New York, stimulated the art-film movement in the United States. (Read Martin Scorsese’s Britannica essay on film preservation.)

    • The Editors of Encyclopaedia Britannica
  4. The Venice Film Festival or Venice International Film Festival (Italian: Mostra Internazionale d'Arte Cinematografica della Biennale di Venezia, "International Exhibition of Cinematographic Art of the Venice Biennale ") is an annual film festival held in Venice, Italy.

    • Overview
    • Contemporary life

    Venice has had a strong attachment to the cinema since 1937, when the Venice International Film Festival, held annually in the Palazzo del Cinema on the Lido, was established. Motion-picture directors have often used Venice as a ready-made set for their films, from Luchino Visconti (Senso, 1954; Morte a Venezia [Death in Venice], 1971) to Nicolas R...

    For Venice, adaptation to the demands of the modern world is often a painful process. While the era of vast refining and petrochemical development along the lagoon shore may be over, its damage to Venice in visual and environmental terms has been immense. After the disastrous floods of 1966, UNESCO (the United Nations Educational, Scientific and Cultural Organization) began coordinating an international effort to preserve the city. A number of national committees too now exist to save Venice and its art treasures from the combined effects of corrosive air pollution, rising damp, flooding in high-water periods, sheer age, and even defacement by pigeons. The completion of an aqueduct from the nearby Alps to Marghera has prevented further aquifer exhaustion, and the effects of international funding are increasingly visible in renovated buildings and monuments.

    Venice still sustains a distinct urban life. Away from the main tourist routes, children use the squares as playing fields, a poor substitute for city parks, playgrounds, and modern school amenities, all of which are in short supply. The university at Ca’ Foscari, a modern foundation, has important schools of architecture and planning and strong programs in languages and linguistics. The renovated State Archives is an international centre of scholarship, its documentary collections covering a thousand years of the Venetian republic. It is complemented by other scholarly centres such as the National Marcian Library, the Correr Civic Museum, and the Cini Foundation.

    Although planning regulations severely restrict alterations to buildings, there are examples of modern additions and structures. The fire station of Foscari Canal makes use of the traditional architectural vocabulary; other buildings, such as the headquarters of the Venetian Savings Bank in the Campo Manin, are uncompromisingly modern. Ignazio Gardella’s house on the Zattere (1957) is a fine example of contemporary design that nonetheless blends in with the Venetian environment. Some of the industrial architecture of the city is also interesting, such as the stunning Mulino Stucky flour mill and warehouse, built on the Giudecca in the 19th century and closed in 1954. Stunning examples of Belle Époque-style architecture can be found on the Lido, such as the famous Hôtel des Bains (1900).

    A growing problem for Venice is the loss of population from the city core. Faced with poor social amenities and old, decaying, often damp buildings with rents inflated by the costs of renovation, demands of the tourist industry, and wealthy foreign residents (who are often absent from their houses), Venetians have elected in ever-increasing numbers to move into modern apartments in the mainland boroughs of Mestre and Marghera or on the Lido. This exodus has produced a daily commuting problem and has left the city of Venice with a smaller resident population than many of its formerly subject towns. It threatens to turn Venice into a museum city—a glorious spectacle whose architectural and artistic heritage is preserved, as it should be, but whose daily life is almost a parody of the vital unity of commerce, piety, politics, and ritual that was the pride of la serenissima.

  5. The Venice Film Festival is the world's oldest film festival and one of the "Big Five" worldwide, which include the European Cannes and Berlin festivals, alongside the Toronto International Film Festival in Canada and the Sundance Film Festival in the United States.

    • What is Venice International Film Festival Encyclopaedia Britannica?1
    • What is Venice International Film Festival Encyclopaedia Britannica?2
    • What is Venice International Film Festival Encyclopaedia Britannica?3
    • What is Venice International Film Festival Encyclopaedia Britannica?4
    • What is Venice International Film Festival Encyclopaedia Britannica?5
  6. The Venice Film Festival, established in 1932, is the oldest film festival in the world. It celebrates both Italian and international films, acting as a platform for cinematic innovation and a meeting point for filmmakers.

  7. History 1932-2022. The Venice International Film Festival is the oldest film festival in the world and one of the most prestigious. The Festival was organised for the first time in 1932, under the auspices of the President of the Biennale, Count Giuseppe Volpi di Misurata, the sculptor Antonio Maraini, and Luciano De Feo and obtained a great ...

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