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      • In the second half of the 1960s he met some musicians who shared with him an interest in traditional music, and this encounter led to the foundation of the Nuova Compagnia di Canto Popolare, with whom De Simone collaborated for a decade.
      en.wikipedia.org/wiki/Roberto_de_Simone
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  2. Thanks to the encounter with the ethnomusicologist Roberto De Simone, the group eventually focused their research on Neapolitan vocal genres from the 15th and 16th centuries such as tammuriate, fronne, and serenate.

  3. Dec 11, 2018 · Fra musica e teatro, fra storia e politica, fra cultura bassa e cultura alta, questo libro è una suggestiva e puntuale indagine sulla formazione di Roberto De Simone e sugli eventi che confluiranno a delineare le caratteristiche di uno dei più interessanti, originali e imitati fenomeni musicali italiani della seconda metà del XX secolo.

  4. www.discogs.com › artist › 906798-Roberto-De-SimoneRoberto De Simone - Discogs

    Roberto De Simone's experience that lives from 1967 to 1974 with Nuova Compagnia di canto popolare has a twofold importance: on the one hand we can find enclosed some of the key elements of his way to the theater, on the other you can find in it a new way of conceiving and proposing popular music.

  5. Folk music has never been very popular in Italy, probably due to the strong differences between the music traditions of the 20 Italian regions, and it's never been as commercially successful as it was with Nuova Compagnia di Canto Popolare.

  6. In the second half of the 1960s he met some musicians who shared with him an interest in traditional music, and this encounter led to the foundation of the Nuova Compagnia di Canto Popolare, with whom De Simone collaborated for a decade.

  7. Dopo le eccellenti collaborazioni artistiche con la Nuova Compagnia di Canto Popolare, Roberto De Simone decide di comporre una propria opera teatrale-musicale. E questa volta e lui a dirigere la NCCP.

  8. Profile: The Nuova Compagnia di Canto Popolare was originally a folk group, formed in Naples in 1967 by Carlo D'Angiò, playing from popular canzone napoletana to american spirituals.. By 1970 important changes occurred: first of all the meeting with musician and musicologist Roberto de Simone and his wide research field on popular and ancient ...