Giovanni Pontano
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- Encompassing a single day and night in Milan, the story explores themes of loneliness and existential disillusionment, highlighting the characters' search for meaning in a world indifferent to their struggles.
screenrant.com/db/movie/la-notte-1961/
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La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 Italian drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (with Umberto Eco appearing in a cameo). [1]
Jun 12, 2024 · La Notte is a timeless Italian film that delves into deep emotions and relationships, captivating audiences with its thought-provoking themes and stunning visuals. The movie’s exploration of human existence and the search for meaning continues to resonate, making it a must-watch for anyone seeking a profound cinematic experience. Table of Contents.
Jan 20, 2021 · 60 years of La notte: how Antonioni’s film walked over the empty glamour of the 1960s. Following the wanderings of an estranged couple over a single day in 1960s Milan, the middle part of Michelangelo Antonioni’s classic alienation trilogy unmasked the aimless hedonism of modern life.
La Notte: Directed by Michelangelo Antonioni. With Marcello Mastroianni, Jeanne Moreau, Monica Vitti, Bernhard Wicki. A day in the life of an unfaithful married couple and their steadily deteriorating relationship.
- (24K)
- Drama
- Michelangelo Antonioni
- 1962-02-19
Sep 15, 2016 · Two of the screen’s most melancholic beauties, Jeanne Moreau and Marcello Mastroianni, are the searchers in “La Notte,” which is receiving its first major stateside reissue in more than half ...
La Notte is a 1961 Italian drama directed by Michelangelo Antonioni. The film stars Marcello Mastroianni and Jeanne Moreau as a couple experiencing a decline in their relationship amidst a backdrop of social and moral decay. Encompassing a single day and night in Milan, the story explores themes of loneliness and existential disillusionment, highlighting the characters' search for meaning in a ...
Moodily sensual cinematography and subtly expressive performances make La notte an indelible illustration of romantic and social deterioration. This psychologically acute, visually striking modernist work was director Michelangelo Antonioni’s follow-up to the epochal L’avventura.
