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  1. Dante’s lyric corpus reveals itself as being as important as the Commedia, especially for a specific kind of poetic authority, given that lyric, along with epic, was the most important among the genres, and lyric poets played a prominent role in the evolution of vernacular literatures. As both writer and theorist of lyric poetry, Dante exercised a powerful and abiding influence on Italian ...

  2. It considers how the lyric mode is employed to convey the intensity of the love experience and the porous nature of the desiring body, especially in Dante’s relationship to Beatrice and as expressed in flexible and expansive forms of textuality that resist closure. Keywords: desire, pleasure, lyric, mode, poetry, measure, textuality, Beatrice ...

  3. Barolini’s commentary exposes Dante’s lyric poems as early articulations of many of the ideas in the Commedia, including the philosophy and psychology of desire and its role as motor of all human activity, the quest for vision and transcendence, the frustrating search for justice on earth, and the transgression of boundaries in society and poetry. A wide-ranging and intelligent examination ...

  4. May 28, 2007 · Summary. Dante is heir to a complex and lively Italian lyric tradition that had its roots in the Provençal poetry nourished by the rivalling courts of twelfth-century southern France. The conventions of troubadour love poetry - based on the notion of the lover's feudal service to midons (Italian madonna ), his lady, from whom he expects a ...

    • Teodolinda Barolini
    • 1993
  5. This wonderful collection of sonnets, ballate, and canzoni, traditionally consisting of eighty-eight poems of definite attribution, but expanded in De Robertis's edition of 2002 by eight more poems, was written over a span of approximately twenty-five years, from circa 1283 to circa 1307–8, that is, from Dante's teens to after the Inferno was already begun. 5 Close The Rime bring us as close ...

  6. Oct 20, 2021 · In the nineteenth century, Dante found renewed success in Italy and abroad, and along with the Commedia, his lyric poetry also found new publics. In the British Isles, readers, poets, and translators – such as Dante Gabriel Rossetti – were interested in Dante not just as the author of the Commedia but also as a love poet. The rich holdings ...

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  8. Chapter 02, “Dante and the lyric past” by Teodolinda Barolini. Main Page | Chapter 10. DANTE IS HEIR to a complex and lively Italian lyric tradition that had its roots in the Provencal poetry nourished by the rivalling courts of twelfth-century southern France. The conventions of troubadour love poetry – based on the notion of the lover ...

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