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- Cunningham deftly weaves together the universal themes of mortality, female identity, and the liberating power of creativity. Each woman's journey delves into the depths of human existence, capturing the tensions between conformity and individuality. The Hours underscores the restorative capacity of art in navigating life's profundities.
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In choosing to draw out the events of one day throughout a whole novel, Cunningham reveals the thoughts, attitudes, and perceptions of his three main characters through their small encounters with recognizable, everyday experiences.
The Hours, a novel by Michael Cunningham, was published in 1998 and won the Pulitzer Prize for Fiction in 1999. The novel interweaves the lives of three women across different time periods—Virginia Woolf in the 1920s, a housewife in the 1950s, and a New Yorker in the late 1990s.
Intro. The Hours Summary. Next. Prologue. One day near the beginning of World War II, Virginia Woolf leaves a note for her husband, Leonard, and sister, Vanessa. She then goes out to a river with stones in the pockets of her jacket to drown herself.
A concise biography of Michael Cunningham plus historical and literary context for The Hours.
The Passage of Time. Michael Cunningham’s The Hours is a novel about three women whose lives intertwine, though their stories unfold at different periods in the 20th century: a fictionalized version of the writer Virginia Woolf, Laura Brown, and Clarissa Vaughan.
As the historical Woolf did, Cunningham explores themes of marginalized sexual orientations, mental illness, suicide, and existential crisis. In 1999, The Hours won the Pulitzer Prize for Fiction and the PEN/Faulkner Award for Fiction.
Michael Cunningham's The Hours provides a profound exploration of life's meaning and the inevitability of death. The interconnected narratives follow three women—Virginia Woolf, Laura Brown, and Clarissa Dalloway—as they confront existential concerns about mortality, societal expectations, and the search for fulfillment.
