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      • Alexander Calder redefined sculpture by introducing into it the element of movement. He created sculptures and design objects that participated in the larger tendencies of European and American avant-garde, uniquely combining abstract art, modernist principles, machine and cosmic imagery in his works.
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  2. Alexander Calder is known for inventing wire sculptures and the mobile, a type of kinetic art which relied on careful weighting to achieve balance and suspension in the air. Initially Calder used motors to make his works move, but soon abandoned this method and began using air currents alone.

    • What is Calder's Art based on?1
    • What is Calder's Art based on?2
    • What is Calder's Art based on?3
    • What is Calder's Art based on?4
    • What is Calder's Art based on?5
    • Summary of Alexander Calder
    • Accomplishments
    • Biography of Alexander Calder

    American artist Alexander Calder redefined sculpture by introducing the element of movement, first through performances of his Cirque Calderand later with motorized works and, finally, with hanging works called "mobiles." In addition to his abstract mobiles, Calder also created static sculptures, called "stabiles," as well as paintings, jewelry, th...

    Many artists made contour line drawings on paper, but Calder was the first to use wire to create three-dimensional line "drawings" of people, animals, and objects. These "drawings in space" introdu...
    Calder shifted from figurative linear sculptures in wire to nonobjective forms in motion by creating the first mobiles. Composed of pivoting lengths of wire counterbalanced with thin metal elements...

    Childhood

    Alexander Calder was born into a long line of sculptors, being part of the fourth generation to take up the art form. Constructing objects from a very young age, his first known art tool was a pair of pliers. At eight, Calder was creating jewelry for his sister's dolls from beads and copper wire. Over the next few years, as his family moved to Pasadena, Philadelphia, New York, and San Francisco, he crafted small animal figures and game boards from scavenged wood and brass, and in 1909, he mad...

    Early Training

    In 1922, he took evening drawing classes at the 42nd Street New York Public School. The next year he studied painting at the Arts Students League (1923-1925), with John Sloan and George Lukswhile working as an illustrator for the National Police Gazette. An assignment to illustrate acts at the Ringling Brothers and Barnum & Bailey Circus led to his interest in the circus. In 1926, after showing paintings at The Artists' Gallery in New York he moved to Paris. Once there, he began making the mo...

    Mature Period

    In the late 1920s Calder created more figurative oil paintings, but a 1930 visit to Piet Mondrian'sstudio led Calder to shift from figuration to abstraction permanently. Upon entering the studio, Calder became fixated on the overall space and the colored cardboard rectangles covering one of the walls: he said he would like to make them “oscillate.” Calder began painting and sculpting in the abstract. In 1931 he accepted an invitation to join the influential Abstraction-Creation group. That sa...

    • American
    • July 22, 1898
    • Lawnton, Pennsylvania
    • November 11, 1976
  3. Jan 8, 2018 · Calder was a pioneer of 20th-century sculpture, among the first to endow his works with a fourth dimension: movement. Duck (1909), which rocks back and forth on its curved underside, can be considered the artist’s first kinetic sculpture.

  4. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943.

    • American
    • July 20, 1898
    • Lawnton, Pennsylvania, United States
    • November 11, 1976
    • The term ‘drawing in space’ was first used to describe Calder’s wire sculpture. It is commonly believed that artist Julio González coined the term ‘drawing in space’ in 1932, when he wrote about Pablo Picasso’s iron sculptures of 1928, which Picasso had adapted from some of his earlier line drawings.
    • He invented the mobile. The idea of a mobile is now so ingrained in the collective imagination that it is difficult to believe there was a time when it did not exist.
    • Duchamp wasn’t the only artist to name Calder’s objects. After he heard that Duchamp had dubbed Calder’s moving objects mobiles, their mutual friend, the abstract artist Jean Arp, sardonically asked Calder, ‘Well, what were those things you did last year — stabiles?’
    • In 1943 he was the youngest artist ever to receive a retrospective of his work at the Museum of Modern Art in New York. In 1929 Abby Aldrich Rockefeller founded the Museum of Modern Art in New York.
  5. Alexander Calder (; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures.

  6. Calder's kinetic sculptures are regarded as being among the earliest manifestations of an art that consciously departed from the traditional notion of the art work as a static object and integrated the ideas of gesture and immateriality as aesthetic factors.

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