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  1. en.wikipedia.org › wiki › Big_NightBig Night - Wikipedia

    Big Night. Big Night is a 1996 American comedy-drama film co-directed by Campbell Scott and Stanley Tucci. [3] Set in the 1950s on the Jersey Shore, the film follows two Italian immigrant brothers, played by Tucci and Tony Shalhoub, as they host an evening of free food at their restaurant in an effort to allow it to gain greater exposure.

  2. Sep 27, 1996 · 5 min read. “Big Night” is one of the great food movies, and yet it is so much more. It is about food not as a subject but as a language–the language by which one can speak to gods, can create, can seduce, can aspire to perfection. There is a moment in the movie when a timpano is sliced open, and the audience sighs with simple delight.

  3. Primo and Secondo are two brothers who have emigrated from Italy to open an Italian restaurant in America. Primo is the irascible and gifted chef, brilliant in his culinary genius, but determined not to squander his talent on making the routine dishes that customers expect. Secondo is the smooth front-man, trying to keep the restaurant ...

  4. Big Night: Directed by Campbell Scott, Stanley Tucci. With Marc Anthony, Tony Shalhoub, Stanley Tucci, Larry Block. New Jersey, 1950s. Two brothers run an Italian restaurant.

    • (23K)
    • Drama, Romance
    • Campbell Scott, Stanley Tucci
    • 1996-09-20
  5. Sep 15, 1996 · The primary setting of Campbell Scott and Stanley Tucci’s “Big Night” is an Italian restaurant called the Paradise, which, like the movie itself, is small, quiet, and elegant.

  6. NEW. Chef Primo (Tony Shalhoub) and businessman Secondo (Stanley Tucci) are immigrant brothers from Italy who open their dream restaurant, Paradise, in New Jersey. However, Primo's authentic food ...

    • (59)
    • Drama
    • R
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  8. Apr 8, 2021 · Twenty-five years on, “Big Night” holds up like gangbusters. As funny, and as filled with wonderful, charming performances as the film is—Tucci and Shalhoub are both basically perfect, Holm acts like a wild imp throughout, Driver effortlessly gives the kind of performance that used to be called “winning”—it is nevertheless infused throughout with an unavoidable melancholy.

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