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      • McEwan's novel explores the desultory closeness that exists between Mary and Colin. They have known each other for seven years and "often forget that they are two separate people". As well as being an expression of their love, this closeness makes them weak and puerile. It causes them pain, and enables Robert to take advantage of them.
      en.wikipedia.org/wiki/The_Comfort_of_Strangers
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  2. The Comfort of Strangers is a 1990 psychological thriller film directed by Paul Schrader, and starring Christopher Walken, Rupert Everett, Natasha Richardson, and Helen Mirren. The screenplay by Harold Pinter was adapted from the 1981 novel of the same name by Ian McEwan .

  3. The Comfort of Strangers is a 1981 novel by British writer Ian McEwan. It is his second novel, and is set in an unnamed city (though the detailed description strongly suggests Venice).

  4. The Comfort of Strangers. Colin and Mary retreat to Venice to work on their relationship, but an encounter with lyrical local bar owner Robert and his odd, sexually frank wife Caroline leads them into a world of intrigue where their darkest desires are in reach.

    • (6.5K)
    • Crime, Drama, Fantasy
    • Paul Schrader
    • 1991-04
  5. Apr 12, 1991 · “The Comfort of Strangers” contains the elements to be a violent crime story, or a lurid horror film. Paul Schrader, who directed it, is not interested in such a mundane approach. He sees the story as literate, elegant eroticism.

  6. The Comfort of Strangers is a 1990 psychological thriller film directed by Paul Schrader, and starring Christopher Walken, Rupert Everett, Natasha Richardson, and Helen Mirren. The screenplay by Harold Pinter was adapted from the 1981 novel of the same name by Ian McEwan.

  7. Aug 10, 2020 · Paul Schrader's 'The Comfort of Strangers' presents the discomfiting encounter with anothersomeone like youand yet entirely unlike you, mysterious to you, unknown and unknowable.

  8. The Comfort of Strangers. Adapting the acclaimed novel by Ian McEwan, playwright and screenwriter Harold Pinter lends his trademark unnerving dialogue and air of creeping menace to this spellbinding study of power, control, and the frighteningly thin line between pleasure and pain.

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