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Nat “King” Cole and Charles Brown
- Ray Charles grew up immersed in the sounds of jazz and blues. He often credited Nat “King” Cole and Charles Brown as significant influences. Charles developed his piano skills by playing jazz and blues tunes, absorbing the rhythms and melodies that would shape his future work. These genres provided a foundation for his signature style.
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Oct 25, 2024 · Ray Charles was an American pianist, singer, composer, and bandleader who was credited with the early development of soul music and was billed as ‘the Genius.’ His best-known songs include ‘I’ve Got a Woman,’ ‘What’d I Say,’ ‘Georgia on My Mind,’ ‘Hit the Road, Jack,’ ‘Busted,’ and ‘America the Beautiful.’
- The Editors of Encyclopaedia Britannica
Ray Charles Robinson[a] (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential musicians in history, and was often referred to by contemporaries as "The Genius".
Feb 14, 2005 · Ray Charles, who has won a string of posthumous Grammy Awards, belonged to a pioneering generation of artists that had a huge influence on the course of rock and pop music. His sound...
Jul 17, 2024 · His early playing style closely resembled the work of his two major influences — Charles Brown and Nat King Cole. Charles later developed his distinctive sound. In 1949, he released his first...
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Ray Charles challenged expectations of how black artists should sound and the kinds of music they should perform. The sheer scale of his talent appealed to audiences, black and white, bringing him unprecedented popularity and success.
Sep 17, 2020 · Ray Charles may have recorded his most important work throughout the 1950s and early 1960s, but his influence has resonated down through the decades: Van Morrison – who himself took a blend of jazz, R&B and soul music into new territory in the late 1960s and early 1970s with albums like Astral Weeks and Moondance – treated him as an idol.
May 17, 2006 · His “cool” sound was heavily influenced by the popular Nat “King” Cole, but he was beginning to find his style with a throatier, unrestrained sound reminiscent of gospel music. In 1950 he...
