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Micaëla, a young country girl, arrives in Seville looking for her childhood sweetheart, Don José. She brings him a letter from his mother. A ‘gitano, Carmen, throws a flower to the young corporal and sings an erotic love song. The two girls fight and José's superior, Zuniga, appears. Unable to control Carmen, he orders José to take her to ...
Carmen throws a flower at him, and the women go back to work. José picks up the flower and hides it when Micaëla returns. She brings a letter from José’s mother, who lives in the countryside. After Micaëla leaves, José reads the letter. He is about to throw away the flower when a fight erupts inside the factory between Carmen and another ...
Before returning to the factory, she throws a flower to José, which he picks up when everyone else has dispersed. Micaëla returns and gives José the letter from his mother. Suddenly there is uproar in the factory and a crowd of women rushes out. They accuse Carmen of drawing a knife during a fight with another girl.
After her provocative habanera, with its persistent insidious rhythm and changes of key, the fate motif sounds in full when Carmen throws her flower to José before departing. [86] This action elicits from José a passionate A major solo which Dean suggests is the turning-point in his musical characterisation. [33]
José picks up the flower and hides it when Micaëla returns. She brings a letter from José’s mother, who lives in a village in the countryside. As he begins to read the letter, Micaëla leaves. José is about to throw away the flower when a fight erupts inside the factory between Carmen and another girl. Zuniga sends José to retrieve Carmen.
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attention to her: Don José. Carmen throws a flower at him, and the girls go back to work. José picks up the flower and hides it when Micaëla returns. She brings a letter from José’s mother, who lives in a village in the countryside. As he begins to read the letter, Micaëla leaves. José is about to throw away the flower when a fight erupts
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Sep 3, 2017 · After Carmen’s brutal declaration: Non, je ne t’aime plus, immediately after, the note retaliating at the note, as in a duel, a transport of indignation seizes the whole orchestra; a clamor of reproach rises towards the impudent girl, and in an admirable effusion, Jose throws everything at her feet: his love, the debris of his honor, and the despair long buried in his soul. Carmen does not ...
