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Oct 10, 2023 · Guston clings to McKim, clutching his paintbrushes and still wearing his “cold wristwatch”. Couple in Bed by Philip Guston (1977). Estate of Philip Guston/The Art Institute of Chicago.
Sep 9, 2021 · Guston’s long-suffering wife, the poet Musa McKim Guston, appears in “Tears” as two enormous eyes on a proscenium stage, each orb forming a round little seascape and producing one teardrop.
- Roberta Smith
- Exhibition Overview and Wall Texts
- Artwork Highlights
- Philip Guston
- Exhibition Organizers and Collaborators
- Public Programs
Guston’s openness to doubt is key to this exhibition’s approach. A majority of the seven sections focuses around an open-ended question, helping to illuminate not only the questions that the artist asked across his life but also those that the paintings challenge us to ask today. Meanwhile, the recurrence of particular themes and motifs in Guston’s...
Swirling with energy, motion and bright colors, Gladiators(1940, Museum of Modern Art, New York), evokes a miniature mural, showing an enigmatic group of masked and armed children locked in battle.The celebrated early canvas If This Not Be I(1945, Mildred Lane Kemper Art Museum, Washington University in St. Louis) presents children—including Guston’s daughter, Musa Jane, wearing a crown—susp...Considered Guston’s first full abstraction, Red Painting(1950, Museum of Modern Art, New York) features different layers of paint competing for visibility, with blacks and grays that contribute to...In both Dial (1956, Whitney Museum of American Art) and the later work Tower(1970, Private Collection), Guston highlights layering and piling in rich compositions that engage the eye.Philip Guston (1913–1980) was born Philip Goldstein in Montreal, Canada, to Jewish immigrants from Odessa, in present-day Ukraine. He was raised in Los Angeles, where he became serious about drawing at age 12 and attended Manual Arts High School alongside Jackson Pollock. As a young painter during the Great Depression, Guston experimented with diff...
The MFA’s presentation of Philip Guston Nowwas organized by an expanded curatorial team who consulted with a range of individuals, including Museum staff, contemporary artists and scholars—testing new approaches to meaningful internal and external collaboration. The curatorial team includes Megan Bernard, Director of Membership; Ethan Lasser, John ...
Guston’s legacy and the meaning of his work today will be further explored through public programs offered throughout the run of the exhibition. Free opening weekend programs include: 1. “Curating Guston”(Friday, May 6, 6 pm, livestreamed on mfa.org), a discussion with the curatorial team about their collaborative process and reimagining of museum ...
The Guston Foundation was formed in 2013 to secure my father’s legacy: to catalog his art and archival materials, facilitate publications and exhibitions, and develop a website where my father’s life and work would be freely accessible to everyone. Today our website hosts a searchable catalogue raisonné of paintings, exhibitions, museum collections, and bibliography, as well as slideshows ...
Oct 3, 2023 · Guston was wrestling with his mortality, and his wife Musa McKim’s declining health. Hands hold cigarettes belching out thick red smoke, heads are entangled in spiderwebs. A final painting shows ...
Guston conjured up a world of lonely objects, bustling body parts, lively flames and sleeping figures. For years, he worked in the studio long into the night, painting and smoking. In the late 1970s, Guston and McKim struggled with health problems. McKim had a stroke in 1977 that kept her from writing poetry.
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Michael Raymond: After the Marlborough show opened Guston was incredibly wounded by the critical reception that his new works received and so both him and his wife Musa McKim returned to Italy, a place of solace and comfort for Guston. Guston returned to Woodstock in upstate New York and there away from the attention of the art world he embarked upon creating large canvases full of this ...
