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      • The dominant winter symbolism is that of sadness, inwardness, and personal struggle. We often see films and literature using winter as a backdrop during the sad moments in a character’s life. But there are other key symbols, like that of war and oppression, that are very common in epic stories, like Frozen, Game of Thrones, and Narnia.
      symbolismandmetaphor.com/winter-symbolism/
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  2. But at times it can also be a symbol of magic, playfulness, and joy – particularly in Christmas and Hallmark-style love stories. Below, I’ll explore 11 key ways winter is used as a symbol in film and literature, with examples from influential texts like Narnia, Game of Thrones, and Battle of the Bulge.

  3. Jul 23, 2023 · Explore the various meanings and symbolisms that winter embodies in literature. Discover how the season represents themes such as death, decay, and rebirth, and how it can be used to reinforce storytelling. Gain a deeper understanding of how winter has been utilized as a literary device throughout history.

    • From Leo Tolstoy’s Anna Karenina: At first she was unable to read. To begin with she was bothered by the bustle and movement; then, when the train started moving, she could not help listening to the noises; then the snow that beat against the left-hand window and stuck to the glass, and the sight of the conductor passing by, all bundled up and covered with snow on one side, and the talk about the terrible blizzard outside, distracted her attention.
    • From Italo Calvino’s If on a winter’s night a traveler: So here I am walking along this empty surface that is the world. There is a wind grazing the ground, dragging with flurries of fine snow the last residue of the vanished world: a bunch of ripe grapes which seems just picked from the vine, an infant’s woolen bootee, a well-oiled hinge, a page that seems torn from a novel written in Spanish, with a woman’s name: Amaranta.
    • From Ali Smith’s Winter: And here instead’s another version of what was happening that morning, as if from a novel in which Sophia is the kind of character she’d choose to be, prefer to be, a character in a much more classic sort of story, perfectly honed and comforting, about how sombre yet bright the major-symphony of winter is and how beautiful everything looks under a high frost, how every grassblade is enhanced and silvered into individual beauty by it, how even the dull tarmac of the roads, the paving under our feet, shines when the weather’s been cold enough and how something at the heart of us, at the heart of all our cold and frozen states, melts when we encounter a time of peace on earth, goodwill to all men; a story in which there is no room for severed heads; a work in which Sophia’s perfectly honed minor-symphony modesty and narrative decorum complement the story she’s in with the right kind of quiet wisdom-from-experience ageing-female status, making it a story that’s thoughtful, dignified, conventional in structure thank God, the kind of quality literary fiction where the slow drift of snow across the landscape is merciful, has a perfect muffling decorum of its own, snow falling to whiten, soften, blur and prettify even further a landscape where there are no heads divided from bodies hanging around in the air or anywhere, either new ones, from new atrocities or murders or terrorisms, or old ones, left over from old historic atrocities and murders and terrorisms and bequeathed to the future as if in old French Revolution baskets, their wickerwork brown with the old dried blood, placed on the doorsteps of the neat and central-heating-interactive houses of now with notes tied to the handles saying please look after this head thank you […]
    • From Donna Tartt’s The Secret History: The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation.
  4. Winter settings add elements of claustrophobia and danger to a story. The snowbound landscape of an off-season resort hotel in the Rocky Mountains creates a terrifying backdrop for Stephen King’s...

  5. Apr 27, 2019 · In C.S. Lewis’s The Lion, the Witch and the Wardrobe, Mr Tumnus, the faun, says: ‘It is winter in Narnia and has been for ever so long… always winter, but never Christmas.’. Winter here is symbolic of the power of evil and the witch’s reign.

  6. Sep 4, 2023 · The Winter season is characterized by several symbolic meanings all centered on cold, darkness, and despair. Cold: This very obvious symbolic meaning derives from the low temperatures of the winter seasons. In some areas of the Northern hemisphere, the temperature goes as low as -89 degrees Fahrenheit.

  7. Dec 20, 2023 · Winter’s symbolic meanings derive from nature’s dormancy and cultural traditions worldwide, evoking themes of darkness and light, demise and renewal, stillness and preparation, struggle and resilience reflected through sacred seasonal celebrations and folklore.

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