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Howling to kill the conspirators
- Shakespeare’s assessment of the dangerous power of political oratory prefigures the popular dictators of the twentieth century. By the end of Antony’s speech, the crowd is howling to kill the conspirators.
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By the end of Antony’s speech, the crowd is howling to kill the conspirators. The crowd’s volatile, aggressive mood offers a prescient commentary on the pitfalls of missing nuance and...
Act III, scene ii evidences the power of rhetoric and oratory: first Brutus speaks and then Antony, each with the aim of persuading the crowd to his side. We observe each speaker’s effect on the crowd and see the power that words can have—how they can stir emotion, alter opinion, and induce action.
The people shout their approval of Brutus. As Mark Antony enters with Caesar’s body, Brutus departs, charging the crowds to hear what they’ve given Antony permission to say. Brutus appeals to the people’s reason—they should believe him on the basis of his honor, and judge him intellectually.
Mark Antony brings his ‘Friends, Romans, countrymen’ speech, a masterly piece of oratory, to a rousing end with an appeal to personal emotion, claiming that seeing Rome so corrupted by hatred and blinded by unreason has broken his heart.
Apr 21, 2018 · If you notice in the text of the speech below, Antony never overtly says: “Brutus was a liar and a traitor, and Caesar must be avenged,” but that is exactly what he gets the crowd to do. So how does he get them to do so, right after Brutus got them on his side?
The crowd clamors for Brutus, and Brutus tells them to listen to Mark Antony. The plebeians are reluctant to listen to Mark Antony at all, claiming that Caesar was a tyrant. Antony addresses them, appearing at first to praise the conspirators.
The speech ends in line 108 when Antony says that he has to pause for a moment in order to regain his composure. He says he has to wait till his heart comes back to him, as it is too tied up in his love for Caesar and is resting along with the leader in his coffin.
