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BALLET translate: danza classica, balletto, balletto, balletto. Learn more in the Cambridge English-Italian Dictionary.
[ˈbæleɪ ] noun. (dance) balletto. (art) danza classica. we went to a ballet siamo andati a vedere un balletto. ballet lessons corso di danza classica. Copyright © by HarperCollins Publishers. All rights reserved. Examples of 'ballet' in a sentence. ballet. Example sentences from the Collins Corpus.
t. e. Ballet (French: [balɛ]) is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary.
Inglese. Italiano. ballet n. (classical dance form) danza classica nf. We prefer to live in a city so the girls can learn ballet. Preferiamo abitare in città così le bambine possono imparare danza classica. the ballet n. (theatrical dance performance)
- Overview
- The emergence of ballet in the courts of Europe
- Ballet as an adjunct to opera
ballet, theatrical dance in which a formal academic dance technique—the danse d’école—is combined with other artistic elements such as music, costume, and stage scenery. The academic technique itself is also known as ballet. This article surveys the history of ballet.
Ballet traces its origins to the Italian Renaissance, when it was developed as a court entertainment. During the 15th and 16th centuries the dance technique became formalized. The epicentre of the art moved to France following the marriage of the Italian-born aristocrat Catherine de Médicis to Henry II of France. A court musician and choreographer named Balthasar de Beaujoyeulx devised Ballet comique de la reine (1581; “The Queen’s Comic Ballet”), which inaugurated a long tradition of court ballets in France that reached its peak under Louis XIV in the mid-17th century.
As a court entertainment, the works were performed by courtiers; a few professional dancers were occasionally participants, but they were usually cast in grotesque or comic roles. The subjects of these works, in which dance formed only a part alongside declamation and song, ranged widely; some were comic and others had a more serious, even political, intent. Louis XIII and his son Louis XIV frequently performed in them; the younger Louis was in time regarded as the epitome of the noble style of dancing as it developed at the French court.
The Académie Royale de Musique was to become incalculably significant in the development of ballet. The academy was created to present opera, which was then understood to include a dance element; indeed, for fully a century ballet was a virtually obligatory component of the various forms of French opera. From the beginning, the dancers of the Opéra (as the Académie was commonly known) were professional, coming under the authority of the ballet master. A succession of distinguished ballet masters (notably Pierre Beauchamp, Louis Pécour, and Gaétan Vestris) ensured the prestige of French ballet, and the quality of the Opéra’s dancers became renowned throughout Europe.
The growing appeal of ballet to an increasingly broad public in Paris was reflected in the success of opéra-ballets, of which the most celebrated were André Campra’s L’Europe galante (1697; “Gallant Europe”) and Jean-Philippe Rameau’s Les Indes galantes (1735; “The Gallant Indies”). These works combined singing, dancing, and orchestral music into numbers that were unified by a loose theme.
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Italian ballet is the training methods [citation needed] and aesthetic qualities seen in classical ballet in Italy. Ballet has a long history in Italy, and it is widely believed that the earliest predecessor of modern-day ballet originated in the Italian courts of the Renaissance.
Ballet is a formalized dance form with its origins in the Italian Renaissance courts of 15th and 16th centuries. Ballet spread from Italy to France with the help of Catherine de' Medici, where ballet developed even further under her aristocratic influence.