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  1. Feb 8, 2017 · However, Eagleton does see Criticism and Ideology as a genuine shift from regarding the literary text as ‘“expressive” of an underlying ideology or historical situation’ to one whereby the text is a ‘“production” or transformation of these elements into a quite new configuration’. Following this Marxist trio, Eagleton’s more ...

  2. Jan 6, 2018 · Eagleton has little sympathy with Lukács’ view of a Marxist society which Eagleton characterizes as “the triumphant sublation of the bourgeois humanist heritage” (WB, 83). But Eagleton acknowledges that “Socialists . . . wish to draw the full, concrete, practical applications of the abstract notions of freedom and democracy to which liberal humanism subscribes.”3

  3. Apr 13, 2016 · The Philosophy of Karl Marx | Literary Theory and Criticism. Terence Francis Eagleton (b: 1943), a student of Raymond Williams, is a literary theorist, and since the 1970s, widely regarded as the most influential British Marxist critic. He has written more than forty books, including Literary Theory: An Introduction (1983), The Ideology of the ...

  4. Ideology and Literary Form. Bourgeois ideology in nineteenth-century England confronted a severe problem. 1 Its withered roots in the sparse soil of utilitarianism seriously limited its ability to produce a richly symbolic, potently affective set of mythologies capable of permeating the texture of lived experience and so of performing the ...

    • Terry Eagleton
  5. Jul 26, 2017 · Terry Eagleton (b. 1943) has been one of the most influential British literary critics and literary theorists of the postwar era. Born to a working-class family in Salford, northern England, Eagleton undertook his university study at the University of Cambridge, where he came under influences such as the Cambridge English of F. R. Leavis, the ...

  6. Mar 2, 2014 · Fifty years ago, Terry Eagleton—one of the foremost and polemical cultural critics and literary theorists—was appointed Fellow in English at Jesus College, Cambridge shortly after graduating from the university himself with a First in English. He was the youngest fellow in the history of the college since the eighteenth century, and he hasn’t stopped working at such an accelerated pace.

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  8. A theory of literary 'modes' could be outlined, whereby in myth the hero is superior in kind to others, in romance superior in degree, in the 'high mimetic' modes of tragedy and epic superior in degree to others but not to his environment, in the 'low mimetic' modes of comedy and realism equal to the rest of us, and in satire and irony inferior.

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