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  1. For Dante, the Church does not directly correspond to any earthly institution. In Monarchia, III, xv, 2–3, Dante says that ‘the “form” of the church is simply the life of Christ, including both his words and his deeds’. This means that the Church is defined simply as the community of all those who follow the example and teaching of ...

  2. Dante criticizes the Church in Inferno by condemning its corruption, greed, and political interference. He places corrupt clergy in Hell, including Pope Nicholas III for simony and condemns Pope ...

  3. Chapter 02, “Church and State in the Comedy”. THE PROPER FUNCTlONING of the empire on earth depends not only on its relations with individual cities and kingdoms, but also on its relations with the papacy. The jurisdictional dispute between secular and ecclesiastical authority, the third and certainly the most controversial question Dante ...

  4. Dante’s Inferno is an undeniably Christian text, as it catalogs various types of earthly sinners and describes the torments they experience in hell. The poem is the first part of Dante’s three-part religious project, the Divine Comedy, which goes on to illustrate Christian purgatory and heaven. The Inferno, however, is much more than a mere ...

  5. Yet there is the testimony of Villani that he did much to refine the language of his contemporaries, and to apply fixed principles to the conduct of State affairs.[36] Dante meets him in Inferno, and hails him as his intellectual father--as the master who taught him from day to day how fame is to be won.[37]

  6. However, the fact that Brutus and Cassius suffer a punishment only slightly less harsh demonstrates Dante’s belief that church and state play equally important roles, each in its own sphere. Throughout Inferno, Dante has expressed the view that church and state should remain separate but equal. Now, Dante finds an arrangement for the final ...

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  8. A careful look into the structure of Dante Alighieri’s Divine Comedy reveals a rigorously conceived epic poem whose form grows from a careful symmetry. The combined cantos of the three cantiche ...

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