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      • Based on the 1960s TV series of the same name, The Fugitive isn't some cheap knockoff. Gripping from the moment it starts, this is a sterling example of how action pictures should be made. Clever storytelling and editing build the suspense.
      www.commonsensemedia.org/movie-reviews/the-fugitive
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    • I'll Wait Up For You. [The Kimbles are driving home from a charity ball] Helen Kimble: Thank you for coming with me to that charity ball. I know how much you hate those functions, but God, I love looking at you in a tux.
    • Be Good. [Kimble sees Copeland has escaped the train wreck. Copeland unlocks Kimble's handcuffs] Copeland: Now you listen, and you listen good. I don't care which way you run.
    • On The Run For Ninety Minutes. [Gerard and the sheriff are interviewing the prison guard who survived the bus wreck and train derailment] Old Prison Guard: ...
    • I'm Thinking. [Gerard and his Marshals are working out of a mobile base at the train wreck scene] Deputy Poole: Chester Police just found a blood trail! Two miles, southeast.
  2. Aug 6, 1993 · Action. 130 minutes ‧ PG-13 ‧ 1993. Roger Ebert. August 6, 1993. 5 min read. Andrew Davis’ “The Fugitive” is one of the best entertainments of the year, a tense, taut and expert thriller that becomes something more than that, an allegory about an innocent man in a world prepared to crush him.

    • Setting The Tone
    • Parallel Editing
    • Implicit Meaning: Miscarriage of Justice
    • Pushing Genre Boundaries
    • Conclusion

    In the opening scene ofThe Fugitive, the viewer is presented with a split introduction, comprised of an overhead view of a city, and that of a woman being murdered. In the latter, which is filmed in black-and-white, it is not known who the woman is, and due to the way the scene is shot, her attacker cannot be fully seen. The cinematic language used...

    Another technique used by the film’s creators is parallel editing, which shows the viewer what is going on with two different characters, in two different places, at different times. This technique is demonstrated during the scene in which Deputy U.S. Marshall Gerard (Tommy Lee Jones) is rounding up and instructing local police forces to find Dr. R...

    Every movie has an explicit meaning and an implicit one, and a given film may have several, depending on the filmmaker’s intentions and the experience of the audience. Explicitly, The Fugitiveis about a successful doctor who is wrongfully accused and convicted of killing his wife, escapes a prison transport, and sets out to find the actual culprit,...

    As far as genre is concerned, The Fugitiveis typically considered a thriller, but can also be pegged as a bonafide action movie. The movie has all the makings of a thriller, as it depicts a wrongfully accused hero, a murder mystery, a cat-and-mouse game between the protagonist and an authority figure, and a winding plot that has the hero piece toge...

    The Fugitive is a well-written, superbly-acted action-thriller that proves just how great those genres can be. Strong performances from the main actors and supporting cast abound, the ominpresent score subconsciously keeps the viewer on the edge of their seat, and the film acts as a social commentary in its underlying indictment of the supposedly i...

  3. The Fugitive is much better but seeing Tommy Lee Jones come back as a grizzled detective who doesn’t take any shit was great. My favourite line was always when TLJ is making his speech and names the fugitive as “DOCTOR Richard Kimball.”

  4. On Rotten Tomatoes, The Fugitive has a 96% rating based on 81 reviews, with an average rating of 8.10/10. The website's critics consensus reads, "Exhilarating and intense, this high-impact chase thriller is a model of taut and efficient formula filmmaking, and it features Harrison Ford at his frantic best."

  5. Dec 31, 1992 · En route to prison, a train wreck makes his escape possible, and he is hunted relentlessly by a lawman named Gerard. The brutal murder of Helen Kimble is gruesomely realised here as the opening ...

  6. Sep 10, 2012 · Brilliant doctor Richard Kimble (Ford) flees death row after wrongful conviction for his wife's murder. He vaguely recalls what the culprit looked like, but can he evade the authorities long...

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