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Jun 16, 2016 · While earning his living as a high-school teacher of Greek and Latin, he began to write film criticism, then ran a film club, founded and edited a film journal, and began to make films under the...
Rohmer was the last of the post-World War II French New Wave directors to become established. He edited the influential film journal Cahiers du cinéma from 1957 to 1963, while most of his colleagues—among them Jean-Luc Godard and François Truffaut —were making the transition from critics to filmmakers and gaining international attention.
Sep 4, 2024 · Rohmer was very keen on privacy, using false names and even donning disguises (he wore a fake moustache to one of his own premières). In fact, he was so private, he never even told his mum what he did for a living. She thought he was just plain old Maurice Schérer, a teacher at a lycée in Paris.
Rohmer was born (in 1920) Maurice Schérer and, under that name, conducted his life as a teacher and a bourgeois family man in parallel with his life as a filmmaker. His mother died in 1970 without ever having known that her son was already a famous film director.
Éric Rohmer (born April 4, 1920?, Tulle?, France—died January 11, 2010, Paris) was a French motion-picture director and writer who was noted for his sensitively observed studies of romantic passion. Rohmer was an intensely private man who provided conflicting information about his early life.
- The Editors of Encyclopaedia Britannica
Mar 24, 2021 · Rohmer considered fierce lust the human condition and the repression or sublimation of it (including through the very dialectical pirouettes and curlicues that adorn his movies) the definition of...
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Dec 14, 2012 · Rohmer’s characters arrived at moral decisions in their lives, usually through romance, often with warm humor. Few directors have loved people more: Their quirks, weaknesses, pretensions, ideals, and above their hopes of happiness.