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Franz Marc was a German painter and printmaker who is known for the intense mysticism of his paintings of animals. He was a founding member of Der Blaue Reiter (“The Blue Rider”), an association of German Expressionist artists.
- The Editors of Encyclopaedia Britannica
In 1903 and 1907, he spent time in France, particularly in Paris, visiting the museums in the city and copying many paintings, a traditional way for artists to study and develop technique. In Paris, Marc frequented artistic circles, meeting numerous artists and the actress Sarah Bernhardt.
- Summary of Franz Marc
- Accomplishments
- Biography of Franz Marc
Although his career was cut short by his early death, Franz Marc had a tremendous impact on the various Expressionist movements that would evolve after World War I. After early experiments with Naturalism and Realism, Marc later eschewed those styles in favor of the greater symbolic potential of abstraction. He is most famous for his images of brig...
Marc looked to the natural world as an antidote to modern life, from which he felt increasingly alienated. Nature and animals were more than just pleasing to him; they were spiritual and a means of...Color was extremely important for Marc. Not only did he understand the potential for color to affect mood, he developed a specific theory of color symbolism. His analysis of color associated blue w...Marc's work embodies the heightened anxieties of early-20th-century Europe, as people struggled with a rapidly changing, urban world on the precipice of war.Childhood and Education
Franz Marc was born in Munich, Germany on February 8, 1880. His father, Wilhelm Marc, was an amateur landscape painter. Under the influence of his artistic father, Marc's artistic talent was evident from a young age, but he did not decide to pursue a career in painting until after completing his military service. In 1900, Marc enrolled in the Munich Academy of Art, but the curriculum's focus on natural realism left him dissatisfied. While enrolled at the academy, he became acquainted with the...
Early Period
In 1903, Marc spent six months in Paris studying modern and Impressionist paintings. At that time he met the French artist, Jean Niestle, who was famous for painting animals. Niestle's animals were depicted with the same soft, expressive lines found in Japanese woodblock prints. Perhaps due to Niestle's influence, Marc started to depict animals in his own paintings as early as 1905. He returned to Paris in 1907, on the eve of his ill-fated first marriage, "to calm his anguished and vacillatin...
Mature Period
During the years 1908 and 1909, Marc began to combine his newfound interest in anatomy with the intense, symbolic color palette of the Fauves. Like them, Marc felt that the dream was the truest expression of reality. He believed that every fantasy was based in fact. The biggest turning point in his career and personal life came in 1910, when Marc became friends with the artist August Macke. The two men developed a friendship that involved travel and study - a true friendship of equals. Around...
- German
- February 8, 1880
- Munich, Germany
- March 4, 1916
Nov 29, 2021 · Franz Moritz Wilhelm Marc, of just Franz March, was a German painter well known for his large and bright areas of colors, subject matter that consisted primarily of animals and nature, which were infused with his symbolic and spiritual beliefs.
- ( Head of Content, Editor, Art Writer )
Franz Marc was a leading figure of German Expressionism, and one of the key members of the influential art group, The Blue Rider. Initially, Marc wanted to become a high school teacher and enrolled at the University of Munich to study philosophy and theology.
- German
- February 8, 1880
- Munich, Germany
- March 4, 1916
Feb 4, 2022 · Galvanised by the brilliant, semi-Cubist images of the French painter Robert Delaunay, Marc’s palette became more vibrant and his backgrounds more fragmented, so that his depictions of animals seemed to melt into form and colour, like a hallucinogenic, ultra-modern Garden of Eden.
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'These unified compositions gave Marc's paintings added expressive power and also offered a concrete equivalent in his pantheistic belief in the unity of all...
