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Jan 17, 2024 · So, that means you can learn to experiment with chord progressions on your own by rearranging the chords. Again, if you want to avoid barre chords, you could play: Em – C – G – D. Here are a few songs that use this progression: “Save Tonight” by Eagle Eye Cherry. “Otherside” by Red Hot Chilli Peppers.
- C – G – Am – F Progression I – V – vi – IV. Imagine this: A chord progression that lets you play thousands of the catchiest records in the history of music.
- G – C – D Progression I – IV – V. As a beginner, you might have already learned the conventional way to play the G major, C major, and D major chords separately.
- C – Am – F – G Progression I – vi – IV – V. This chord progression is also known as the ‘50s progression for being widely used in the 1950s and the early 1960s.
- Am – F – C – G Progression i – VI – III – VII. Am-F-C-G is another chord progression that’s a must-learn to build a good chord progression vocabulary.
- F, B♭ and C. Example: Brad Paisley’s “All I Wanted Was a Car” - Key of F. This catchy riff is broken up into an arpeggiated pattern on one of Brad Paisley’s Telecasters, which sounds amazing.
- C♯m, E, B and A. Example: Hillsong’s “Lord of Lords” - Key of E. Hearing a C♯m in the key of E is a common occurrence in the world of contemporary worship music.
- F♯m, B and C♯ Example: Joe Satriani’s “House Full of Bullets” - Key of F♯ If you listen to “House Full of Bullets” (one of my favorites by Joe Satriani) you can hear that he’s uses a repetitive pattern made up of single notes played on the sixth and fifth strings that isn’t a chord progression as much as it is a 12-bar blues style riff that follows the three chords listed.
- E, A, and B. Example: Johnny Cash’s “Folsom Prison Blues” - Key of E. Speaking of the 12 bar blues, “Folsom Prison Blues” by Johnny Cash is one of the more memorable uses of the E, A and B chord progression, though the likes of Robert Johnson and Muddy Waters would probably take precedence.
- Understand The Point. If you’ve ever heard people say that all popular music sounds the same, you aren’t alone. Pop’s critics have a point, though. In the world of pop music, the same progressions are often recycled in different keys.
- Make Sure You’re Ready! When you learn something related to music, always make sure you have a solid foundation before moving forward. For example, most new guitarists start with the chromatic scale (or at least the concept of the chromatic scale) before moving on to the major scale and the minor scale, modes, etc.
- Understanding The Notation. If you’re like most beginner guitarists, you may not even be familiar with the concept of scale degrees. To facilitate the discussion on the interval dynamics in general, instead of individual scales like the D major scale, it is a common practice to assign a special name or number to each individual note of the scale.
- I IV V — 12 Bar Blues. Lots of the three-chord songs beginner guitarists start out with use I IV V. Despite the name. This progression is not just for blues songs.
- Scales. Many people know about the "scale" do-re-mi-fa-sol-la-ti-do. Scales can be found in many different keys and modes, and across cultures scales can be very drastically different.
- Chords. What exactly is a chord? Generally, a chord is a group of three notes called a triad, consisting of the tonic, Mediant, and dominant of any scale (the first, third, and 5th scale degrees).
- Chord Progressions. Whew, finally, time to talk chord progressions! First, we take a look at the absolute most basic "phrase" The Basic Phrase = I - V7 - I. That is the basic phrase, the tonic chord, moving to the dominant chord, moving back to the tonic chord.
- Expanding The Basic Phrase. In most music, while a I - V7 - I progression is very common, using just three chords can get very boring, in which the topic of "expansion" is then introduced, in which you "expand" or add more chords to each area of the phrase.
Here are the chord shapes you’ll need to play this progression. G6 (320000) Cmaj7 (x32000) Dsus2 (xx0230) You can play “Midnight Special” and “The Lion Sleeps Tonight” in the key of G! “Midnight Special” goes Cmaj7 – G6 – Dsus2 – G6. “The Lion Sleeps Tonight” goes G6 – Cmaj7 – G6 – Dsus2. Making little changes to ...
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By starting with the tonic chord (I), transitioning to the dominant (V), descending to the relative minor (vi), and finally resolving to the subdominant (IV), this progression creates a sense of resolution and emotional impact. It provides a perfect canvas for pop songwriters to craft melodies and lyrics that resonate with listeners.
