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Mar 15, 2022 · Over the last century, classical music has grown increasingly estranged from a mass audience or popular musical forms, retreating into an elitist silo. This is not the fault of individual musicians: the development of their art is inseparable from wider social and political trends.
Sep 28, 2022 · The article begins with a discussion of the ways that recent scholarship in IPE problematizes time and temporality while neglecting coevalness and heterotemporality. From there, it turns to a discussion of coevalness in relation to everyday life, vulnerability, and music.
Jun 30, 2022 · Thus, music as an organized structure of noise always includes potential subversive power that anticipates the future socio-economic system. From an historical perspective, Attali argues that there were three regimes of political power in music in human history.
Apr 24, 2014 · Nearly 40 years after the publication of his 1977 book Noise: The Political Economy of Music, French economist and writer Jacques Attali spoke at Harvard on Monday about the relationship between music and a society’s economic structure.
Apr 9, 2021 · This introductory article offers a critical review of how the relationship between music and politics has featured in extant historical writing, from classic works of political history to the most recent scholarship.
- David Kennerley
- 2021
Jul 8, 2020 · These public policy campaigns in the UK essentially focus on protecting, promoting and supporting music and musicians. The (economic) value of music features in discussions about the need to invest in music services for education and health as well as to protect creative outputs.
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May 5, 2020 · A host of new technologies and modalities for listening and for music-making, recording, and dissemination are pushing recording costs toward nil, worldwide. Producers and consumers become blurred into “prosumers” in music as in the wider on-line economy.
