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- Charles Dickens ’s works attest to a keen familiarity with the ballads and traditional songs of Ireland and the United Kingdom. Less obvious from his writings is his deep love of Western classical music—he adored the lieder of Mendelssohn-Bartholdy, he championed Arthur Sullivan, and he reported being “overcome” by Gounod’s Faust.
bibliolore.org/2022/02/07/dickens-and-music/
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English writer Charles Dickens had great interest in music. Discover his music education, encounters with musicians and his opera libretto.
Dickens was not only interested in music himself; he also provoked music in others. During his life-time, his novels fostered some curious musical offspring, such as The David Copperfield Polka and The Barnaby Rudge Tarantelle, to say nothing of The Micawber Quadrille, 'played in the drama of Little Em'ly, at The Olympic Theatre', in 1869.
Concertinists will obviously be most interested in the four tracks that cast the spotlight on Townsend (who also wrote most of the arrangements): No. 1, ‘The College Hornpipe,’ which Dickens cites in both Dombey and Son and David Copperfield; No. 4, Joseph Warren’s arrangement for English concertina of Sir Henry Bishop’s famous ‘Home ...
Dickens’s glowing tribute to the actor – here reprinted in an English edition – was published in the Atlantic Monthly for August 1869, five months before Fechter’s American debut. There can be no doubt of Charles Dickens's enthusiasm for vocal music.
Aug 25, 2005 · Dickens has little to say about the music of his time, but in the reprinted paper called Old Lamps for New Ones (written in 1850), which is a strong condemnation of pre-Raphaelism in art, he attacks a similar movement in regard to music, and makes much fun of the Brotherhood. He detects their influence in things musical, and writes thus:
Feb 7, 2022 · Charles Dickens’s works attest to a keen familiarity with the ballads and traditional songs of Ireland and the United Kingdom. Less obvious from his writings is his deep love of Western classical music—he adored the lieder of Mendelssohn-Bartholdy, he championed Arthur Sullivan, and he reported being “overcome” by Gounod’s Faust .
Jan 23, 2020 · music in Dickens's journals, they are notable for their breadth of cover-age: from lower-class music halls to the classical concert stage, from music in the provinces to music in London and abroad, and from the techni-cal to the social aspects of music performance. Music was treated as an