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      • Gian Lorenzo Bernini was an Italian artist who was perhaps the greatest sculptor of the 17th century and an outstanding architect as well. Bernini created the Baroque style of sculpture and developed it to such an extent that other artists are of only minor importance in a discussion of that style.
      www.britannica.com/biography/Gian-Lorenzo-Bernini
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  2. Aug 26, 2024 · Gian Lorenzo Bernini was an Italian artist, arguably the greatest sculptor of the 17th century, known for having developed the Baroque style of sculpture. Bernini is also known for his outstanding architectural works.

    • Howard Hibbard
  3. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture.

  4. Bernini's sculpture, the Ecstasy of Saint Teresa (1647 – 52), designed for the Cornaro Chapel in the church of Santa Maria della Vittoria, Rome, has been described as perhaps the quintessential image of Baroque religious art, a depiction showing the meeting of the realms of heaven and earth through the vision of the saint.

  5. Bernini was also a leading figure in the emergence of Roman Baroque architecture along with his contemporaries, the architect Francesco Borromini and the painter and architect Pietro da Cortona.

    • Italian
    • November 28, 1680
    • Naples
  6. Jul 17, 2020 · Gian Lorenzo Bernini is remembered as one of the greatest sculptors and artists of the 17th century. Utilizing Christian subjects as well as elements of ancient Greco-Roman culture and mythology, he pioneered Baroque sculpture and art in Italy.

  7. Aug 27, 2022 · Gian Lorenzo Bernini (1598–1680) was a prominent Italian sculptor, painter, and architect who is credited with developing the Baroque style of sculpture. Originally from Naples, he was regarded as a child prodigy.

  8. Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. 3d ed. Ithaca, N.Y.: Cornell University Press, 1981. Forging a path for future artists, [Bernini] played an instrumental role in establishing the dramatic and eloquent vocabulary of the Baroque style.

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