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Hara-Kiri: Death of a Samurai (一命, Ichimei) is a 2011 Japanese 3D jidaigeki drama film directed by Takashi Miike. It was produced by Jeremy Thomas and Toshiaki Nakazawa, who previously teamed with Miike on his 2010 film 13 Assassins. The film is a 3D remake of Masaki Kobayashi 's 1962 film Harakiri. It premiered at the 2011 Cannes Film ...
- Tatsuya Nakadai’S Lead Performance
- The Stark Black-And-White Visuals
- The Shocking Violence
- The Way It Deconstructs The Samurai Mythos
- The Slow-Burn Mystery Narrative
- The Influence It’S Had
- The Explosive Final Battle
- The Sparse Use of Music
- Its Timelessness
- The Dark and Tragic Ending
The legendary Tatsuya Nakadai plays the protagonist of Harakiri with an unparalleled sense of intensity. He's an actor who's had a gigantic career and the kind who's never given a bad performance. He's likely best known for having had prominent roles in several films directed by Akira Kurosawa, himself one of the most well-known individuals in the ...
There were plenty of great-looking samurai movies that utilized black-and-white visuals. Seven Samuraiis probably the most famous example, also being one of the most famous samurai films full-stop. Harakiri uses its contrasting black-and-white visuals perfectly, and it's a huge part of why the film looks as good as it does. It does great work with ...
Harakiri is a film that pulls no punches when it comes to the brutality of the samurai, and how violent some of their practices are. Notably, the film doesn't shy away from the gruesome act of harakiri, and the scenes that focus on this form of death pull no punches, remaining shocking and devastating to watch to this day. RELATED: Action Movies Th...
Even if Harakiri wasn't the very first film to critique samurai or show them as anything other than heroic, it arguably goes further - and becomes more impactful - than most gritty samurai movies. The practice of harakiri may have been thought of as a noble death, but the movie wants to make it very clear that it's a brutal and horrifying way to di...
The central narrative in Harakiri takes its time to emerge. It's not immediately apparent why Hanshirō wants to commit harakiri, and it's not towards the end of the film that the audience will realize it's actually a story about revenge. It's certainly not a film noir, but the way it uncovers its complex and very dark narrative through a series of ...
It's safe to say that Harakiri helped redefine what a samurai film could be. It was more intense, more devastating, and more violent than its contemporaries, with its raw power showing filmmakers that samurai films could do far more than be pure entertainment or escapism. Its influence is most easily seen in a filmmaker like Takashi Miike. The prol...
When it comes time for a showdown in Harakiri's climax, the film truly delivers. Hanshirō is shown to go to desperate lengths to do as much damage to the samurai clan as he can, when the fighting breaks out, and the results are harrowing. RELATED: Iconic Films Where The Final Scene Is The Best One Other samurai films before 1962 may have shown bloo...
Harakiri stands out for using music fairly infrequently throughout. When the film's score is heard, it's never sweeping or overbearing. Instead, it's low-key and eerily quiet, working wonders to build up the film's unease and sense of dread, all the way until its explosive ending. This results in a film that lacks a distinctly memorable main theme,...
There are things that suggest Harakiri is an older movie, sure. The use of black-and-white was more common in films made in the 1960s and earlier, of course, and its deliberately slow pacing does put it at odds with many of the super fast-paced movies that are more popular in the present day. The craft of the filmmaking itself really doesn't date H...
Hanshirō reveals to the samurai that he's visiting them for revenge, and when fighting breaks out, he does kill several, and wounds numerous others. He himself ends up dying, though, and given the clan's influence and size, it's temporarily hurt at best, with plenty of other members left to pick up any slack caused by the final battle's casualties....
- Jeremy Urquhart
- Senior Author
Aug 25, 2013 · Harakiri is regarded as one of the best Japanese films to come from this period; thus it came as a surprise that director Takashi Miike would be following up 13 Assassins (which was also a remake) with a remake of Harakiri. The debate on whether remakes are necessary is a heated one. For every ‘The Thing’ there is a ‘Planet of the Apes.’
Harakiri. (1962 film) Harakiri (切腹, Seppuku[2]) is a 1962 Japanese jidaigeki film directed by Masaki Kobayashi. The story takes place between 1619 and 1630 during the Edo period and the rule of the Tokugawa shogunate. It tells the story of the rōnin Hanshirō Tsugumo, [3] who requests to commit seppuku (harakiri) within the manor of a ...
Jun 22, 2023 · The success of Harakiri led to a remake in 2011 and various adaptations in other forms of media, further cementing its status as a cultural phenomenon. Timeless Themes The themes explored in Harakiri are timeless, resonating with audiences of all generations and maintaining its relevance even decades after its release.
Jun 20, 2019 · In 2012, Harakiri became more contemporary than ever when remade by Takashi Miike. Kobayashi and Miike might be kindred rebel spirits, but Kobayashi’s key feature was storytelling depth. Miike, on the other hand, was the Japanese directors’ equivalent of a shock rocker; substance was not his forte.
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Feb 22, 2022 · Turning 60 this year, Kobayashi's landmark film Harakiri brutally attacks the inspirational strength of Seven Samurai and the premise of authority, finds William Stottor. William Stottor Published 6:15pm 22 February 2022. The image of a character committing seppuku or harakiri – a form of ritual suicide by self-disembowelment – in a ...
