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  2. en.wikipedia.org › wiki › Post-rockPost-rock - Wikipedia

    Post-rock incorporates stylings and traits from a variety of musical genres and scenes, including krautrock, ambient, psychedelia, prog rock, space rock, math rock, tape music and other experimental recording techniques, minimalist classical, British IDM, jazz (both avant-garde and cool), and dub, as well as post-punk, free jazz, contemporary ...

    • Godspeed You! Black Emperor​ – F # A # ¥​ (1997) The Canadian collective’s debut long-player – pronounced “F Sharp, A Sharp, Infinity” – is an eminently quotable treatise on taking rock music elsewhere, anywhere, but where it’s allowed to feel comfortable.
    • Rachel’s – Selenography (1999) Kentucky’s Rachel’s saw their final album, 2003’s Systems/Layers, mined for cinematic use, most prominently in the Will Smith movie Hancock.
    • 65daysofstatic – We Were Exploding Anyway (2010) Sheffield foursome 65daysofstatic have been mixing dance beats with intense riffs and devastating live drums since day one.
    • Mogwai – Young Team (1997) A debut album every bit as exhilarating as Godspeed’s, albeit charged with a more pronounced positivity and optimism that may be a product of the musicians’ age at the time – ostensible frontman Stuart Braithwaite was 21 at release – Young Team ripples with inspiration that surpasses its on-sleeve influences.
  3. Jun 14, 2021 · Post-Rock Music Guide: History and Sounds of Post-Rock. Written by MasterClass. Last updated: Jun 14, 2021 • 2 min read. Beginning in the mid-1990s, a number of indie rock bands moved beyond traditional blues-based guitar riffs and introduced a new subgenre known as post-rock.

    • Tortoise, Millions Now Living Will Never Die (1996) Much like Battles, the various members of Tortoise were no strangers to the indie rock community.
    • Slint, Spiderland (1991) Yet another template setting piece of art that hundreds, if not thousands, of skinny young men have been trying to reckon with since its release in 1991.
    • Battles, Mirrored (2007) No one ever floated the idea of calling Battles a supergroup even though its members have an amazing collective legacy: Tyondai Braxton was the son of jazz legend Anthony Braxton, Ian Williams logged time in Don Caballero and Storm & Stress, John Stanier was the drummer for Helmet and Tomahawk, and Dave Konopka was in math rock group Lynx.
    • Mogwai, Young Team (1997) The world was obviously hungry for a group capable of such massive yet smooth dynamic shifts when Mogwai came around in the late ‘90s as the Scottish gents made an immediate dent in the indie charts on both sides of the Atlantic.
  4. Post-rock was the dominant form of experimental rock during the '90s, a loose movement that drew from greatly varied influences and nearly always combined standard rock instrumentation with electronics. Post-rock brought together a host of mostly experimental genres -- Kraut-rock, ambient, prog-rock, space rock, math rock, tape music ...

  5. Apr 20, 2016 · 26. These New Puritans Field Of Reeds (Infectious Music, 2013) Field of Reeds is one of only a few records that could claim to be a successor of Talk Talk’s majestic strand of post-rock. The ...

  6. Jan 7, 2015 · While their music seethed with squirrely bursts of digital noise and borrowed as much from Aphex Twin as Tortoise, it was, to me, more an outgrowth of post-rock than the kind of stuff Warp Records ...