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      • Although not a big success at the time of its release, The Changeling has developed somewhat of a reputation as one of the best haunted house movies over the years, championed by directors such as Martin Scorsese and Alejandro Amenabar.
      blueprintreview.co.uk/2018/07/the-changeling-1980/
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  2. It remains one of the best haunted house movies ever made and a classic example of a "slow burn" horror movie, where mood, atmosphere, and slowly mounting dread replace "BOO" style jump scares. A few key elements to recommend it:

  3. If it only took craftsmanship to make a haunted house movie, “The Changelingwould be a great one. It has all the technical requirements, beginning with the haunted house itself.

  4. Oct 2, 2024 · John and Claire discover that the house is haunted by the angry and distressed spirit of a boy called Joseph Carmichael. He was the heir of the original owners of the house, but was murdered by his father because he was a very sickly child.

  5. The Changeling: Directed by Peter Medak. With George C. Scott, Trish Van Devere, Melvyn Douglas, Jean Marsh. After experiencing tragic personal losses, a music professor rents a Seattle mansion, haunted by a slain boy.

    • (41K)
    • Horror, Mystery
    • Peter Medak
    • 1980-03-28
  6. Sep 1, 2021 · Over 40 years later, Peter Medak's supernatural psychological horror film, The Changeling, still does its job. What makes an effective haunted house movie?

  7. The Changeling is a 1980 Canadian supernatural horror film directed by Peter Medak and starring George C. Scott, Trish Van Devere, and Melvyn Douglas. Its plot follows an esteemed New York City composer who relocates to Seattle, Washington, where he moves into a mansion he comes to believe is haunted.

  8. Jul 31, 2018 · In lesser haunted house films, the heroes simply get frightened and want to stop the ghosts in order to save their own skins or get a good night’s sleep. Helping deliver this emotional aspect to the film is a strong performance by the ever dependable George C. Scott.

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