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The Little Drummer Girl is a spy novel by British writer John le Carré, published in 1983.The story follows the manipulations of Martin Kurtz, an Israeli spymaster who intends to kill Khalil – a Palestinian terrorist who is bombing Jewish-related targets in Europe, particularly Germany – and Charlie, an English actress and double agent working on behalf of the Israelis.
- John Le Carré
- 1983
The Little Drummer Girl is a spy novel by John le Carré that was published in 1983. The story is set in the late 1970s when the Israeli-Palestinian conflict was at its peak. The novel reflects the political and historical context of the time, where the conflict between Israel and Palestine was a major concern for the international community.
Jan 1, 2001 · The Little Drummer Girl is a page-turning story set in the Middle East in 1979. Published in 1983 this novel is still relevant today. It is beautifully written literary fiction which takes on the Israeli/Palestinian conflict and portrays the complexity, brutality, and hypocrisy in both camps without taking sides.
- (15.4K)
- Mass Market Paperback
Published in 1983, the novel follows the story of Charlie, a young actress who is recruited by Israeli intelligence to infiltrate a Palestinian terrorist group. With its intricate plot, well-developed characters, and thought-provoking themes, “The Little Drummer Girl” is a must-read for anyone interested in spy fiction and political thrillers.
The Little Drummer Girl by John le Carré is a novel that is not only a thrilling spy story, but also has connections to real-life events. The book is set in the 1970s during the Israeli-Palestinian conflict, and the author draws on his own experiences as a British intelligence officer to create a realistic portrayal of the political tensions and violence of the time.
The Little Drummer Girl is a long book with a complex plot, many characters and subplots. It seems that le Carre has moved progressively from the stark simplicity of The Spy Who Came in from the ...
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THE LITTLE DRUMMER GIRL. Underneath the grand, stately textures and rich, ironic nuances (which make this new, non-Smiley le Carre novel superior reading), there's a surprisingly conventional thriller-romance here—something of a step backward, perhaps, from the originality and moral/psychological delicacy of the Smiley-Karla trilogy.
