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It is not a pro-war film
- Michael Cimino’s “The Deer Hunter” is a three-hour movie in three major movements. It is a progression from a wedding to a funeral. It is the story of a group of friends. It is the record of how the war in Vietnam entered several lives and altered them terribly forever. It is not an anti-war film. It is not a pro-war film.
www.rogerebert.com/reviews/the-deer-hunter-1979The Deer Hunter movie review & film summary (1979) - Roger Ebert
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Did the Deer Hunter propagate the Vietnam War?
Sep 15, 2023 · The Deer Hunter is debatable as an anti-war film, as it focuses more on the consequences of war rather than the war itself, and justifies American soldiers' brutality through portrayals of even more callousness from Vietnamese soldiers.
- How Was The Deer Hunter Received?
Vietnam War scenes from The Deer Hunter get put under the...
- How Was The Deer Hunter Received?
Apr 17, 2024 · The Deer Hunter is a modern American classic that explores the impact of the Vietnam War on everyday civilians in a small steel mill town in Pennsylvania. Director Michael Cimino's...
- Thomas Butt
The Deer Hunter is a 1978 American epic war drama film co-written and directed by Michael Cimino about a trio of Slavic-American [3][4][5] steelworkers whose lives are upended after fighting in the Vietnam War.
Aug 21, 2023 · ‘The Deer Hunter’ is partially based on a true story. The movie is driven by a screenplay by Deric Washburn adapted from a story by Washburn, Michael Cimino, Louis Garfinkle and Quinn K. Redeker. It is set against the backdrop of a historical event that no one would forget – the Vietnam War .
Feb 7, 2024 · Vietnam War scenes from The Deer Hunter get put under the microscope by military historian Bill Allison, and the film comes up short when it comes to historical accuracy. Released in 1978, the moving Vietnam War film is directed by Michael Cimino, with Robert De Niro starring as Michael.
- Michael Cimino
- Senior Staff Writer
- Robert De Niro
Dec 13, 2021 · Many accused "The Deer Hunter" of depicting the Vietnamese enemy in a racist manner, mainly in the legendary Russian roulette scene. Pauline Kael wrote in The New Yorker (via New York Times)...
It is not a pro-war film. It is one of the most emotionally shattering films ever made. It begins with men at work, in the furnace of the steel mills in a town somewhere in Pennsylvania.